Buffy the Vampire Slayer Season 8, Volume 2: No Future for You

 

BTVS 8v2 No Future for You
But till then, television’s Tina Fey, we must find a way to keep warm.

Previously on Books in the Trees:

For seven years, Buffy Summers, a vampire slayer, saved the world. A lot. Then she ran foul of the ultimate Big Bad, the network, which cancelled her show. Now she’s back in comic form. The comics are being collected in five-issue trade paperback omnibus editions. Volume 1: The Long Way Home was a mixed bag. Now Volume 2: No Future for You has been released. Does it represent a new beginning, or a stake through the heart?

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I hate cliffhangers, so let’s cut to the chase. No Future for You is a big improvement on The Long Way Home. There are three main reasons for this:

  1. Unlike the first volume, the stories in this collection don’t try to fit a TV programme’s worth of material into each issue.
  2. The first four issues in this omnibus form a consistent arc — it’s one narrative, split over four issues.
  3. Faith.

I’m with George Michael on this: I gotta have Faith (in a strictly narrative sense, of course). Faith Lehane, played in the TV series by Eliza Dushku, is the working-class, bad-girl Slayer from Boston who first appears in Season 3. Her uninhibited exercise of her powers was both sexy and frightening, and frightening quickly won. After hitting some very deep depths, Faith climbed partway out of them in Season 7, but she is still the outsider, still comparing herself to Buffy, still coming off second-best. (It is one of the great strengths of Buffy that everyone is an outsider in their own estimation, even those who are seen as insiders by others.)

The end of Season 7 saw two thousand young women turned from potential to actual Slayers, and come into full possession of their powers: superhuman strength, speed, ability to heal, and endurance. Much of Buffy and her team’s effort has gone into finding, recruiting and training these young women, but some of them have preferred to go it alone. One such is Gigi, a young English aristocrat, who is most decidedly not committed to using her powers for the common good. Faith is sent on a mission to take her down, but has second thoughts when she discovers that she and Gigi, despite all their differences, may share a common foe.

To say more would be to give too much away, but this arc is rewarding on many levels — from seeing Faith trying to fit in to British high society, to exploring once again her complex rivalry with Buffy Summers.

Issue 10 doesn’t reach the same heights — which is interesting, because the Faith arc was written by Brian K. Vaughan, whereas Issue 10 is written by Joss Whedon. As Lee commented on my previous Buffy post, Joss’s issues haven’t been as good. My feeling is that he tries to cram too much into each issue, using them like TV storyboards rather than working in a way that’s native to the medium.

(Lee’s review of No Future for You is also available online.)

Just like Issue 5, Issue 10 is a stand-alone, concentrating on Willow and Buffy. We get to find out that Buffy has a thing about Daniel Craig, while Willow fantasises about Tina Fey from 30 Rock (in an alpine-cabin kind of scenario), but there’s not much more here. Still, it’s a minor flaw in a fine volume, which to cap it all off, even has a tiny cameo by the Doctor and Rose. I shall be back for more.

Jhumpa Lahiri Wins the Frank O’Connor International Short Story Award

There was a brouhaha in New Zealand recently about the judges in the Montana Book Awards issuing a shortlist of four contenders for the fiction category, rather than the expected five. Now the judges of the 2008 Frank O’Connor International Short Story Award, for which my short story collection Transported (which you can buy online through Fishpond or New Zealand Books Abroad, or in person at an increasing range of bookshops) was longlisted, have gone one better: they have decided to dispense with the shortlist entirely and award the prize to Jhumpa Lahiri for her collection Unaccustomed Earth. This means that five other writers are denied the opportunity of their books appearing on the shortlist, with the consequent publicity and potential sales this would bring.

The arguments for and against this move are pretty much the same as for the Montana. On the one hand, the judges are appointed to make their decision based on their experience, and that decision should respected; on the other, getting shortlisted for awards can be a lifeline for less well-known authors – this is certainly the case for the Montanas. But, having said that the decision on the Montanas should be left to the judges, I have to be consistent and say that it’s their call here as well. If Unaccustomed Earth was so much better than the competition, then it’s only fair it should win.

But there’s one point on which I do take issue with the judges: according to the Guardian, they said that

With a unanimous winner at this early stage we decided it would be a sham to compose a shortlist and put five other writers through unnecessary stress and suspense.

I have to say, judges: you could have put me through the stress and suspense of being on the shortlist, and I wouldn’t have complained one bit. I would have been very grateful!

Coverage and The Season

It’s blowing a gale outside. Here are two poems united by the wind. Both were first published in North & South magazine.

Coverage

He went south with the housing market
to a cottage facing the sea,

spent his last pay cheque
on Swannis and draught excluders.

Coverage was minimal.
He called his children

from the top of a nearby hill,
struggling through gorse, matagouri —
the visible teeth of the wind.
He got through at last

and begged until she put them on.
Given the chance, the kids talked

and talked: sports, school, when
they could fly down to see him.

That depends, he said, and then
they were breaking up —

fugitive crackles, then silence
under a polar sky.

Coverage was first published in North & South (May 2007) and is included in Swings and Roundabouts: Poems on Parenthood (Random House, 2008), edited by Emma Neale.

The Season

The mountains reconvene.
An avalanche of voices
thrums the heavy ground.

Precise, confidential,
the wind reports the news
it gleans from pavement tables:

the All Black’s private pain,
the public intellectual’s
ceaseless quest for vengeance.

The mountains shake their balding heads.
The culture of celebrity
has pushed them to the margins –

there are no peaks on the social pages.
Aspiring no longer, they allow the wind
to hustle away with the clouds.

Eroding, reminiscing, the mountains shake their
heads. Snow falls, forgotten dandruff,
through the ever-warming air.

The Season was first published in North & South (August 2007)

These are not the first poems I’ve written on the topic! The Weather and Wind Walks the Hand are other examples. Many of them seem to combine the wind with parenting: perhaps that’s because, the night my son was born at Wellington Hospital, there was a southerly snap and a power failure. The backup generators came on to power essential services, such as the incubator Gareth was placed in for a day or so. I remember standing by the end of Kay’s bed, feeling the cold and watching snowflakes swirl past the window. That sort of thing leaves an impression.

PS: I’ll be taking part in Montana Poetry Day events in Upper Hutt on Friday 18 July. The full schedule of events in Upper Hutt is available.