My CoNZealand Climate Change Panels

Panel replays currently available for ConZealand members include these panels I took part in:

Climate Change and Conventions (first panel on this list)

Climate Fiction/Climate Fact (fifth panel on this list)

Check out all the great panels, readings etc that are available on replay!

What’s this all about?

CoNZealand, the 78th World Science Fiction Convention is over! The first to be based in Aotearoa, and the first to be held virtually.

There is so much to say about the convention – for now, I’m just going to congratulate the organisers for all the effort they put in to change a planned in-person convention to a virtual convention at a few months’ notice. There were a whole bunch of teething problems that affected many participants – one of my events vanished into a time-zone ether – but the impressive thing is that some many things worked, or were made to work after people spoke up to get them fixed.

For a few more days, many of the panels, readings and other events are available on replay. My personal highlight of the Con was the Climate Fiction/Climate Fact Panel, but right at the start of the Con, I also took part in the Climate Change and Conventions panel – here’s the presentation I prepared for that panel.

Climate Fiction in New Zealand’s Mainstream Media: Stuff’s “Forever Project”

The Double-Cab Club, by Tim Jones (Forever Project, March 2020)

Resilience, by Octavia Cade (Forever Project, June 2020)

In March, New Zealand’s largest news outlet, Stuff, launched its Forever Project, which editor Eloise Gibson describes as “our way of saying we’re committed to clear-eyed, insistent coverage of the epoch-defining challenges of climate change and sustainability.”

The Forever Project represents a major change in the way Stuff has decided to cover climate change. Until a couple of years ago, Stuff was giving plenty of space to climate deniers and climate trolls: now, they’ve stopped doing that, and are writing many more in-depth stories on climate change and the promise and pitfalls of various approaches to addressing it. Their coverage isn’t perfect, but it’s a huge improvement.

The Forever Project has a print as well as an online component. Two copies of the Forever Project magazine have been distributed to Stuff subscribers so far, and each has included a climate fiction story – which is also available online.

I was delighted to be asked to write the story that appeared in the March 2020 edition of the Forever Project – a story set in 2030, as Aotearoa struggles to deal with both the causes and the effects of climate change – and also that Dr Octavia Cade was commissioned to write the story that appeared in the second issue.

Here’s how you can subscribe to the Forever Project newsletter.

As a bonus, the illustration for my story was created by the wonderful illustrator Ruby Jones – it was a pleasure to work with her.