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Poem of the Month: Learning to ride, by Keith Westwater

I attended the very successful launch of Keith Westwater’s new book No One Home at Unity Books Wellington last Thursday night. No One Home is described on the front cover as “a boyhood memoir in letters and poems”, and lest that and the front cover image appear to paint a picture of an idyllic youth, that’s far from the case.

I’m just beginning to dip into this fascinating mixture of memoir, record of Army life and poetry collection, but here is one poem that caught my eye right away. I am looking forward to reading the rest of this collection, and then reviewing it!

Learning to ride

Not long after my complaints
about the long walk to school

how everyone had one
so why couldn’t I

you came home one night
with a two-wheeler bike –

a Monarch (boy’s, second-hand)
front handbrake, rear pedal –

no bell, chain-guard or gears.
You bought it, no doubt

off a ‘for sale’ ad in the local rag
painted it fire-engine red

showed me how to use the pump
oil the chain, crank and hubs

told me to level the pedals
before I stood on one

straddled the cross bar
sat on the black saddle seat


while you palmed my back
steadied the handle bars

said to push with my feet –
one then the other – coaxed me


to steer straight, keep upright
as we practised setting off.

When I came a cropper
skinned my arms or knees

you painted them orange
set me up for another go

until I was able to wobble solo
up and down life’s street.

If only that were so.

Credit: “Learning to ride” by Keith Westwater is reproduced by permission of the author and the publisher, Mākaro Press, from Keith’s new book No One Home (Mākaro Press, 2018).
Tim says: Very like my own experiences of learning to ride a bike (in my case, in Otatara, south of Invercargill) – until the brutal end.

Science Fiction At The Auckland Writers’ Festival, 19-20 May: Neal Stephenson, Karen Joy Fowler, tribute to Ursula Le Guin

This looks like quite a weekend at the Auckland Writers’ Festival for science fiction, fantasy (and literary fiction) fans: with Neal Stephenson, Karen Joy Fowler, and, even better, a tribute to Ursula Le Guin. Not sure I can be there, but I hope you can!

Auckland Writers’ Festival link: http://www.writersfestival.co.nz/

AUCKLAND WRITERS FESTIVAL
EVENT 86: THE BIG IDEAS OF NEAL STEPHENSON
SATURDAY MAY 19 – 8.45-10.00PM, ASB THEATRE, AOTEA SQUARE
Tickets available at ticketmaster.co.nz, 0800 111 999, or at TM Box Office: Earlybird $37.50, Standard (15 Mayonwards) $42; Students $20.00
New York Times bestselling author Neal Stephenson is renowned for works seething with big ideas, both innovative and complex in their genius, including Snow Crash, Cryptonomicon, The Diamond Age, Anathem, and his latest Rise and Fall of D.O.D.O co-written with Nicole Galland. Stephenson is also one of the world’s leading designers of augmented reality in his role as “Chief Futurist” at Magic Leap, a company that is transforming the way humans interact with story. David Larsen unpicks Stephenson’s boundless imagination and creativity.

EVENT 47: COMPLETELY BESIDE OURSELVES: KAREN JOY FOWLER
SATURDAY MAY 19 – 10.00-11.00AM, ASB THEATRE, AOTEA CENTRE
Earlybird $20, Standard (15 May onwards) $25; Students $12.50; Concession Pass (multiple buy, shareable): $16/$17
Best-selling author Karen Joy Fowler is a maverick, with novels and short stories spanning science fiction, fantasy and literary fiction, including the Man Booker Prize finalist We Are All Completely Beside Ourselves, The New York Times bestseller The Jane Austen Book Club, and the PEN/Faulkner fiction finalist Sister Noon. She is the co-founder of the James Tiptree Jr. Award – given to works which increase understanding of gender – and is the president of the Clarion Foundation which supports the teaching of sci-fi and fantasy writing. She speaks with Kate De Goldi. Supported by Platinum Patrons Pip Muir & Kit Toogood.
EVENT 106: ODE TO URSULA
SUNDAY MAY 20 – 1.30-2.30PM HEARTLAND FESTIVAL ROOM, AOTEA SQUARE
Earlybird $20, Standard (15 May onwards) $25; Students $12.50; Concession Pass (multiple buy, shareable): $16/$17
In memory of the extraordinary Ursula Le Guin, writers and fans Karen Joy Fowler and Elizabeth Knox join David Larsen to share stories of their first encounters with her work and explore the legacy of the writer David Mitchell describes as a “crafter of fierce, focused, fertile dreams”.

Poem of the Month: “The Rabbit”, by Peter Rawnsley, from his new collection “Light Cones”

His mother was the Wing Commander’s wife.
Had some ladies for high tea. She had brushed
and straightened him to be presentable. What
are you going to do when you grow up,
they asked between their sips from china cups.
The question and its demand for answer
to the high bench of grown-up is all that he remembers
of the conversation. When allowed, he escaped
from the drawing room, running, to a shed outside,
unlocked. Inside he found a dead rabbit,
meat to supplement the wartime ration. Shot
and hung up on a peg upon a wall. How the blood
glistens on the touchable fur! The craft
of the creature spread in death’s still life.
He must unpeg it and almost unaware,
such his absorption, fondle it taking up
the blood and stench to hand and face and clothes.
Unknown to himself, he holds the answer.
He enters the drawing room to show the wonder,
dangling the dead rabbit from his hand.
 A fuss, a dropped cup, cries of accident.
The bleak anger in his mother’s eyes.
The world’s perfect soirée lies in ruins.
Credit: “The Rabbit” by Peter Rawnsley is reproduced by permission of the author and the publisher, Mākaro Press, from Peter’s new collection Light Cones (Mākaro Press, 2017).
Poet’s note: Peter tells me: “This poem is autobiographical and truly happened as described, or at least as I remember about 75 years after the event! The locale, as I recall, is an air force base near Blenheim during WW2.”

Tim says: As Cyclone Gita approached, its outermost rain bands already darkening the northern horizon,* I made the long and perilous journey to Plimmerton for the launch of Peter’s new collection Light Cones. I wasn’t sure about making the trip, but I’m very glad I did, because it was an excellent launch and this is a fine collection. Following my usual practice, I have been reading a few poems at the time, and of those I’ve read so far, “The Rabbit” is my very favourite. There are so many wonderful lines here, but what resonated with me most of all is that remembered sense from childhood of being arraigned at the high bench of grown-up expectation and judgement.

*Cyclone Gita actually took another two days to make landfall… it’s a fair cop, guv.

The 2018 National Flash Fiction Day Competition is open!


The 2018 National Flash Fiction Day 
competition is open!



This year, we introduce three categories for submissions: 

Adult (19+)
First Prize: $1000
Second Prize: $400
Third Prize: $100
Judges: Tracey Slaughter and Sue Wootton
Youth (18 and under)
First Prize: $200
Second Prize: $100
Third Prize: $50
Judges: Tim Jones and Patrick Pink
Te reo Māori Prize
Adult
$250
Youth
$100
Judge: Vaughan Rapatahana
Details at the NFFD site — send your best 300-word stories by April 30!

Good luck to all!

“Shortcuts: Track 1” Novella Anthology Gets Good Review From Simon Petrie

In 2015, Paper Road Press published my novella Landfall, and it was subsequently collected into the speculative fiction novella anthology Shortcuts: Track 1, edited by Marie Hodgkinson, which contains these six novellas from New Zealand authors:

Tim Jones explores desperation and betrayal on New Zealand’s shores in his climate refugee novella, Landfall.
AC Buchanan tells a story of creatures and people displaced in time and space in Bree’s Dinosaur.
Grant Stone’s tale of jealous muses and musical prodigy: The Last.
Lee Murray and Piper Mejia’s sci-fi adventure Mika throws the reader into an odyssey through a dystopic USA.
A husband with a secret in IK Paterson-Harkness’ Pocket Wife.
Grief, ghosts, and atoms: Octavia Cade explores Ernest Rutherford’s discoveries of loss in The Ghost of Matter.

Shortcuts was well reviewed at the time, but it’s always a pleasure to see another good, thoughtful review, so I was very pleased when my writer friend P.S. Cottier drew my attention to this review of Shortcuts by Simon Petrie:

https://simonpetrie.wordpress.com/2018/01/07/book-review-shortcuts-track-1-edited-by-marie-hodgkinson/
Here’s what Simon had to say about Landfall:

‘Landfall’, by Tim Jones, is a well-realised climate-dystopia piece that posits a future New Zealand with a ruthless, militarised ‘solution’ to the climate refugee problem. Nasimul, the apparent sole survivor of the deliberate NZ Navy sinking of an overloaded Bangladeshi river ferry off the coast of Auckland, must swim for his life in order to reach shore. Once he makes terra firma, fate decrees that his life depends on the actions of disaffected young Home Guard reservist Donna. This is a gritty, chilling, uncomfortable piece somewhat in the spirit of Greg Egan’s ‘Lost Continent’.

Thanks, Simon!

– Buy Shortcuts: Track 1
– Buy Landfall



South Island Writers’ Association National Competition 2018 Closes Thursday 1 February

Writers are invited to submit Short Stories up to 3000 words and Flash Fiction up to 300 words

Nod Ghosh – short story judge

Short Story First Prize: $250
Short Story Second Prize: $100

Michelle Elvy – flash fiction judge

Flash Fiction First Prize: $100
Flash Fiction Second Prize: $75

Entries accepted by email only, no later than Thursday 1 February 2018.

A shortlist will be published on the SIWA website prior to the winners’ announcement, 15 May 2018.

The First and Second prize winning stories will be published on our website

Full info: https://southislandwriters.co.nz/competition/

Big Book Bash this Saturday + Whitireia News Next Year

Big Book Bash

The Big Book Bash is a festival in Carterton this coming Saturday, 2 December, running from 11am-6pm, with a very full and varied programme.

Harvey Molloy and I will be running a workshop at the Carterton Community Courthouse:

1.30 – 2.30pm (Moves to foyer 1.50pm): Poems of Protest and the Environment, with Tim Jones and Harvey Molloy: Two activist poets and creative writing teachers read their poems and then lead a poetry workshop in the foyer. For 12+ years.

It should be fun!

Further Big Book Bash details are available…

On the web:

On Facebook:

https://www.facebook.com/bigbookbash/

Whitireia Creative Writing Programme has a new home!

I taught two “Writing Short Fiction” courses at Whitireia in 2016 and 2017, and all being well will be doing so in 2018 … and the programme has a new home! Check out the details:

Creative writing is undergoing a transformation!
From 2018 the Whitireia Creative Writing Programme will be part of Te Auaha, Wellington’s new and visionary New Zealand Institute of Creativity. Writers will be able to work with visual artists, dancers, film makers, photographers, musicians and actors – over the next few years we’ll be developing a ground-breaking collaborative programme.
This is an exciting moment for us but it’s also very much business are usual—except in a purpose built arts campus. And we are still taking applications for our Diplomas in Creative Writing and our new degree, the Bachelor of Creativity (Writing) – you can find out how to apply here.
If you know of anyone who might be interested in pursuing their writing dreams,please be an advocate for our programme and referring them to us or the Whitireia or Te Auaha website 
www.whitireia.ac.nz or www.teauaha.com

New poem: Pneumonia

About the last few months…

My father

After he fell, he crawled, his bed
an agonising hour away. Next morning,
he wanted nothing more than water.
The ambulance was quick and smooth,
but admission took forever. In ED, we watched
as the trolleys trundled slowly by.
Later, a ward, a bed of his own. Floor 5,
visiting hours, the path to his room
trodden into the base of my skull.

Two weeks of partial progress, then collapse.

Called to Hutt Hospital to watch him fade away.
He rallies, asks about the cricket;

I tell him, smile, hold his hand. He fades again.
“It isn’t looking good,” he says. I nod. The nurses

whisper, “Sleep somewhere close at hand.”

The call comes at 5am. By the time I’ve dressed

and driven over, it’s too late. Five minutes earlier,
he left his ninety-four years of life behind.
They leave me with his body and the gentle push
to clear the room, remove the corpse, pave the path
that starts with mortuary and ends in funeral.

An interlude

So much work. The funeral went well,
after that scare about the payment. The estate:
he chose wisely, bringing the professionals on board.

And his house. It seemed so bare, until we had

to empty it inside a month – that deadline
self-inflicted, an own goal worthy of the Phoenix.

So many journeys in his little car, brave tiny engine

conquering the motorway. Emptying Naenae,
filling Mt Victoria with clutter and memories.


Then me
As soon as we finished, pneumonia got me too,
grace note to a hard spring cold, breath short
and shallowing, heart racing to keep up.

Ambulance, hospital. Gentle and angry nurses,

kindness and rough treatment. A doctor who finally –
finally! – paid attention. Antibiotics prescribed
and a day later I’m discharged, back home
confused, dependent and weak, showing all
the self-control of a fretful baby.

Now perhaps I’m two or three. Emotions

flare and burn and dim. In the sunshine,
I take small steps, sit down, cry
at small and stranger things. A gradual
recovery, while outside, the world
points birds and insects at my ears,
suggests I could be getting on with things,
tests the limits of my energy, invites me to rejoin

the long descending trudge towards my end.

Poetry Collection Launch: “Homeless”, Poems by John Howell, Tuesday 10 October, 5pm, Wellington Central Library

I’ve heard John read a number of these poems, and discussed others with him. I think this will be a really fine collection of poetry, and I’m looking forward to attending the launch.

What’s more, all profits go to a great cause – DCM Wellington.

If you can’t make the launch of Homeless, you can order a copy through Mākaro Press.