Emergency Weather: A Storm Warning

Tuesday 12 December 2023 dawned a fine summer’s day in Wellington. But in mid-afternoon, the weather changed. A southerly front raced up the country, bringing very strong winds, heavy rain and hail to Wellington and the Hutt. 

I was sitting at my desk, and I felt and saw the change: the temperature dropped abruptly, and sunshine was abruptly replaced by cascading rain. It was all over within 90 minutes, and despite over 20 mm of rain falling at our place within a few minutes, we got off fairly lightly.

But friends I’ve talked to since weren’t so lucky. One was inside a mall that rapidly flooded; another had part of their roof torn off their house – one of a number of buildings in the Hutt that suffered serious damage.

Author Andy Southall captures it well in his Goodreads review of my novel Emergency Weather:

“A day after finishing this book, a sudden and savage storm struck Wellington. At 2.50pm the sun was shining on what seemed to be a pleasant summer day. Ten minutes later the sky turned black, violent winds blew out windows, hail was smashing into the deck and sheets of water poured from the gutters. And that was in a less extreme part of the storm’s path. Elsewhere it was much, much worse.”

and this Radio New Zealand report gives the bigger picture.

My novel Emergency Weather begins and ends with storms – the first causes death and damage from north to south, while the second and stronger storm zeroes in on Wellington. Wellington has always been prone to storms, but climate change is loading the dice, making it more likely that when storms come, they will be damaging and destructive.

Emergency Weather cover at Petone beach

My novel is set against the context of a government in which (some) Ministers are at least trying to do the right thing. But the recent election, which Labour lost by a combination of its own timidity and many voters’ desire for something different, has brought to power a government including climate deniers, environmental vandals, and worshippers at the altar of the car. If climate change is on their agenda at all, it’s well below culture wars.

But physical reality doesn’t care about ideology. So long as we keep loading the climate dice by burning fossil fuels and forcing cows to produce milk, piss nitrates and burp methane, the storms and the fires and the flooding will get worse. If we stop, the climate will have a chance to recover. No amount of denialism changes that.

(Excuse me, Tim! It’s just before Christmas and you’re supposed to be encouraging people to buy your book!)

Err … buy my book if you’re looking for a good summer read – it’s not all, or even mostly, doom and gloom! – and have a great holiday! Here’s to lots of good reading, and good organising for change, in 2024.

All About “The World I Found”: An Interview with Latika Vasil

I enjoyed The World I Found, Latika Vasil’s new novel, a great deal – so I wanted to ask her more about it. Here is our interview!



Cover image of novel "The World Found" by Latika Vasil

How would you describe “The World I Found” to a potential reader?

The World I Found is narrated by 15-year-old Quinn and closely follows her journey from Campbell Island to the Wairarapa and finally home to Wellington, as she navigates a dangerous and eerie post-pandemic world. It will appeal to readers who enjoy a fast-paced adventure story as well as a dystopian setting. The familiar New Zealand environment in which the story is set may also appeal to readers who enjoy a local setting.

I really enjoyed Quinn as a protagonist. Did you enjoy writing from the point of view of a 15-year-old girl?

I enjoyed writing from Quinn’s point of view very much! I like that Quinn isn’t the perfect heroine. Like all of us she makes mistakes and gets things wrong. She has some wonderful qualities, such as her intelligence, adaptability and loyalty to those she cares about, but she is also impulsive and stubborn and these characteristics often get her into trouble. As the novel progresses, Quinn grows in confidence and also develops a love of nature and I enjoyed writing this.

I admire Quinn’s resourcefulness. Is that a case of her stepping up when circumstances demand, or is that innate in her character?

This is a tricky question and it is probably best answered as a bit of both. In the novel, Quinn finds herself in exceptional and totally unforeseen circumstances. She never expected to face the challenges that present themselves. I think we all wonder how we would react and cope if the world suddenly turned upside down, and all the many things we take for granted and which are essential to the smooth running of our day to day lives, disappeared. Quinn is faced with this reality and realises she has to step up and learn to look after herself. At first this doesn’t come easily but as the story develops, Quinn becomes more confident in her abilities and in her own judgement.

This novel is about a pandemic and its aftermath, and it was written during the Covid-19 pandemic. Did the real pandemic influence the fictional pandemic?

Funnily enough, I started the novel before the Covid-19 pandemic and then fiction became reality to some extent! Coming out of the Covid-19 pandemic I did wonder what things would be like in Aotearoa if a worse pandemic had hit us. I explored this scenario in the novel.

Without giving too much away, society reorganising itself after the pandemic in your novel doesn’t go entirely smoothly. Quinn and her friends Jeroen and Cal all respond in different ways to the situation they find themselves in. What leads them to respond in those different ways?

The trio of Quinn, Jeroen and Cal are all very different characters and all have had different upbringings and life experiences that influence the way they react to the new world they find themselves in. Jeroen, especially, has had huge trauma in his life and this impacts how he relates to people and situations. Quinn is more open and receptive to the way she feels about things. She is intuitive and this allows her to see things through a different lens than Jeroen who is very much operating on surface level and as Quinn observes ‘sees what he wants to see’.

Quinn is on Campbell Island when the pandemic hits. Did you need to do lots of research to write those scenes on the island?

Campbell Island is very remote and inaccessible. It is one of New Zealand’s subantarctic islands, 700 kilometres south of Bluff in the South Island. So, while I would have loved to travel there to get a firsthand experience of the island, I had to settle for second hand accounts. Luckily, Campbell Island is a fascinating place and there is quite a bit of material available describing the island and what it is like to live there. It is uninhabited but is occasionally visited by scientific expeditions and small cruise ships. One day I hope to visit!

You’ve previously written adult fiction. What, if anything, was different about writing YA fiction?

The main difference was being able to create an authentic voice for Quinn as a present-day young person. While all of us as adults have been 15 years old once in our lives and can draw from this experience in our writing, it is important to be in touch with what it’s like to be a young person currently, or in the near future as is the case in The World I Found. Once I found Quinn’s ‘voice’ and she began to feel fully fleshed out and real to me, the writing came easily.

Where can readers of this blog buy copies of “The World I Found”?

The World I Found is available from www.latikavasil.com and selected bookshops (see bookhub.co.nz)

Latika Vasil bio

Latika Vasil is an Indian New Zealander who lives in Te Whanganui-a-Tara Wellington. She has worked as a university lecturer, a researcher, a creative writing tutor and currently as a freelance writer. Her fiction has been broadcast on Radio New Zealand, and published in various anthologies and magazines, including Landfall and takahē. She has written two books of fiction: A collection of short stories, Rising to the Surface (2013, Steele Roberts Aotearoa) and a YA novel, The World I Found (2023, Black Giraffe Press).