Coming Attractions – Part 2

After a couple of excellent events last week, there are more to come this week!

Wednesday 14 October, 12.30pm: Cityscapes, Snowscapes, Seascapes

Unity Books Wellington, 57 Willis St

After Michelle Elvy’s excellent book launch at Aurelia Books on Sunday, here is your chance to hear a panel with Michelle and two other authors with new books coming out soon.

A lunchtime reading and discussion by three authors with new books: Leanne Comer, David Coyle and Michelle Elvy.

Poster for "Cityscapes, Snowscapes, Seascapes", a lunchtime reading and discussion by three authors with new books: Leanne Comer, David Coyle and Michelle Elvy. Poster shows the covers of these books, and other details in the text of this post in black text against a white background.

Thursday 15 October, 6-7.30pm: Launch of And How Are Things With You by Mia Farlane

Unity Books Wellington, 57 Willis St

Event begins 6pm, speeches planned for 6.30pm

I’m really looking forward to the launch of Mia Farlane’s new novel. From the cover being created in the window of Unity Books to some great panels and events, Mia and Mākaro Press have done a great job of the publicity – now the book itself is revealed to the world!

Inivitation to the launch of Mia Farlane's new novel, with details in the text of this post. Image has white text on a blue background to the left, and on the right, an image of the book cover.

Facebook event: https://www.facebook.com/events/1016370291460755

More about this book and Mia’s writing: https://miafarlane.com/

Sunday 18 October, 4-6pm, Poetry and Music at Newtown’s Office Bar – Pōtihia / Vote

Office Bar, 124 Riddford St, Newtown

Free entry.

“With this country’s General Election coming up in November, we have decided to make the whole programme Open Mike and encourage people to share work with a political theme if they would like to – with the definition of ‘political’ being as broad and accommodating as it needs to be….. This can be spoken word or song and your own work or the work of others. And for the musicians out there, some instrumental interludes would also be welcome!

About the venue:We use their upstairs space and there is no lift, so if you might need some assistance with the stairs, please let us know. Also, they don’t serve tea or coffee, but you are welcome to bring a flask from home or pick up a take-away to bring in.”

Tim adds: Remember – if you want to vote to get rid of this Government, you must enrol by 25 October!

Poster for Poetry and Music at Newtown's Office Bar, with details also included in the text of this post. Poster is in black and white with a green border, showing stylised images of prominent NZ politicians holding signs in Te Reo.

Book review: Ruby and the Land of Birds, by Latika Vasil

Ruby and the Land of Birds, by Latika Vasil (Wellington: Korobee Press, 2026). ISBN 978-0-473-79333-3.
RRP NZ$30.00. Available from https://latikavasil.com/shop/ (includes shipping anywhere in New Zealand) and in Wellington, from independent bookshops including Unity, The Children’s Bookshop, Marsden Books and Aurelia Books (soon).

Front cover of Ruby and the Land of Birds, by Latika Vasil. Image shows a schoolgirl with backpack pointing at a kākā in a tree against a background of dense New Zealand bush.

There’s a great deal to like about Latika Vasil’s new middle grade novel Ruby and the Land of Birds, and it starts with the evocative cover: the kākā, the schoolgirl with her bag, and the pre-human forest. On a school trip to Ōtari-Wilton’s Bush, Ruby – struggling to find her feet at her new school – and her classmate Jasper fall through time to the same place a thousand or more years ago, when the forest primeval is populated by birds and other entities that have very varied views about the young interlopers who have just dropped in on them.

Ruby and Jasper are well-written, believable kids – ingenious but impetuous, prone to sudden rows but open to reconciliation, each outsiders in their school, easy to empathise with and like – and I had no trouble getting engaged in their story and wanting them to overcome the obstacles this world places in their path. They encounter a wise mentor who helps their journey, but who can’t shield them from all the dangers they face. In the end, it is their own actions that must save them. 

This is a survival story, but the level of peril is appropriate for the book’s intended audience, while still keeping me as an adult reader eagerly turning the pages. I was cheering for the two children to make it home safe, and while I won’t spoil the ending, I thought it hit just the right note.

If you’re looking for a story that will entertain children of ages 8-12+, especially those who love nature, I can definitely recommend Ruby and the Land of Birds.

My new poetry collection “Dracula in the Colonies” is launching in Wellington on Wednesday 1 October!

My new poetry collection Dracula in the Colonies is launching at Unity Books Wellington on Wednesday 1 October from 6-7.30pm. It’s a double book launch: my  Dracula in the Colonies and Mandy Hager’s new novel Revenge and Rabbit Holes.

Image version of the launch details included in this post, showing the covers of Dracula in the Colonies and Revenge and Rabbit Holes

All are welcome – no need to RSVP. And if you invite your friend, friends, partner, partners, or large and lavishly remunerated workplace* along, even better!

*Possibly fictional.

Dracula in the Colonies has received a couple of very nice endorsements from poets whose work I admire:

Janis Freegard: “Tim Jones’ powerful new collection takes us from Grimsby to Antarctica, traversing family life, migration, politics, climate change and loss. This is honest, tender, funny and intelligent writing from a story-teller poet.”

Erik Kennedy: “Eminently readable but never comfortable … Dracula in the Colonies is full of characters you’ll love to hate from a poet whose work we know to love.”

Thank you, Erik and Janis!

All the details

The launch will be at Unity Books, 57 Willis St, Wellington, from 6-7.30pm on Wednesday 1 October 2025. There will be drinks, nibbles, and books for sale and signing.

The Facebook event is here: https://www.facebook.com/events/1159319136008748/

My thanks to everyone who has already said they plan to attend, and those who’ve let me know they can’t make it.

I can’t make it, but I’d love a copy of the book:

The Cuba Press has you covered! You can pre-order Dracula in the Colonies here: https://thecubapress.nz/shop/dracula-in-the-colonies/

You’re invited to a double book launch on Wednesday 1 October: Dracula in the Colonies by Tim Jones and Revenge and Rabbit Holes by Mandy Hager

image.png

You and your friends are warmly invited to a double book launch at Unity Books on Wednesday 1 October: my new poetry collection Dracula in the Colonies and Mandy Hager’s new novel Revenge and Rabbit Holes.

All are welcome – no need to RSVP!

The launch will be at Unity Books, 57 Willis St, Wellington, from 6-7.30pm on Wednesday 1 October 2025. There will be drinks, nibbles, and books for sale and signing.

The Facebook event is here: https://www.facebook.com/events/1159319136008748/

My thanks to everyone who has already said they plan to attend, and those who’ve let me know they can’t make it.

If you can’t make it, please pre-order Dracula in the Colonies here: https://thecubapress.nz/shop/dracula-in-the-colonies/

Book review: Strays & Waifs: A Chasing Ghosts Mystery, by Mandy Hager

Strays & Waifs: A Chasing Ghosts Mystery, by Mandy Hager (The Cuba Press, 2024), 286 pp. See https://mandyhager.com/chasing-ghosts/ and https://thecubapress.nz/shop/strays-and-waifs/

Reviewed by Tim Jones

I heard Mandy Hager read the first chapter of Strays & Waifs on a climate fiction and poetry panel at Newtown Library. It was a gripping description of a house destroyed by flood as the person living there, the novel’s protagonist Bella, can only watch in horror.

We learn that Bella is a climate fiction author and former climate activist, and both these aspects play into the narrative, but this is a murder mystery with a supernatural component. The novel does not follow the path I was expecting, but once I had recalibrated my expectations I got fully on board with the new direction.

I called Bella the protagonist above, because we meet her first and gradually learn about her past as a climate activist and how what happened then has led to deep trauma that still affects her in the present. That, and an unwelcome reminder of her past who turns up in the present, is one of the ghosts present in the story, but far from the only one.

That brings us to Freyja, the other protagonist – I think she is central enough to this story that she crosses the porous line between important secondary character and protagonist. Freyja has some unusual abilities which Bella initially recoils from – as did I as a reader at first; but Mandy Hager shows with great skill how Bella comes to tolerate and then accept those abilities, which come in mighty handy as the pair become involved in bringing justice to the dead and rescue to the living.

I know people very like Bella, so I had no difficulty believing in her as a character; I don’t know many people like Freyja, but she is so well-drawn that I soon found myself believing in her as well.

Mandy Hager writes with tremendous immediacy. And this is no drawing-room mystery: there is action too, vividly described action in which the skills Bella learned as a committed direct activist come into play. As a reader, I felt myself slipping in mud, I felt branches slap my face as I ran through the bush with a bad actor in hot pursuit.

The identity and nature of the villain is all too plausible – all too depressingly plausible – but they’re not exactly subtle, and I would have welcomed a bit more misdirection in that regard. Though, looking at the world around us, villains now delight in boasting of their villainy – so maybe I’m the one clinging to outdated expectations?

There are some really satisying punch-the-air moments in this book, and if the biggest one for me is when Bella turns to the New Zealand Companies Register database to find vital information, equally satisfying moments are also there for people who are less interested in deep-dive research into corporate villains than I am!

Strays & Waifs does justice to its premise, to its main and secondary characters, and to the reader, and starts to pull on the dangling threads of Bella’s past in ways that make me excited for the possibility of further “Chasing Ghosts” mysteries. Very little stays hidden forever.

Book Review: The thirty-one legs of Vladimir Putin, by P S Cottier and N G Hartland

Front cover of novella "The thirty-one legs of Vladimir Putin", by P S Cottier and N G Hartland

The thirty-one legs of Vladimir Putin, by P S Cottier and N G Hartland (Braidwood, NSW: Finlay Lloyd Publishing, 2024), 115pp, https://finlaylloyd.com/product/the-thirty-one-legs-of-vladimir-putin-ps-cottier-ng-hartland/

Reviewed by Tim Jones.

Autocrats and body doubles go together like Elon Musk and Nazi salutes. Stalin had body doubles, Saddam Hussein had body doubles, and I wouldn’t be surprised if, somewhere in America, a small fleet of actors are even now applying the orange spray tan and putting on the mannerisms, the cruelty, the tiny hands.

So it’s very likely Vladimir Putin has his own set of look-alikes. This excellent novella – maybe it’s more accurate to call it a collection of linked stories – takes that concept and runs with it. The thirty-one legs of Vladimir Putin won the annual 20/40 publishing prize, for works of fiction and nonfiction between 20K and 40K words, and that win was well deserved.

In 18 short chapters, plus a Prologue, the authors take us on a worldwide, whirlwind tour of men who have the good or ill fortune to resemble Vladimir Putin in appearance. They have been paid by Russian functionaries to stand by to stand in for the big boss. Some Putins are pleased with the deal, others are having doubts both practical and existential. From Valparaiso to The Hague, what with invading Ukraine and all, it’s hard out here for a Putin.

Each chapter is a snappy portrait of a man and a place. There are hints of an arc plot whirring away in the background, but it’s mostly implied rather than overt. It comes to the fore as the book nears its end, especially in the final two chapters, which revisit the Putins from the Prologue (Aussie Putin Dave McDermott) and Chapter 1 (English Putin Samuel Chatswood). A Putin’s life is not a happy one.

The quality of the prose and the specificity of the descriptions are among the pleasures of this book – but what I most enjoyed is the subtle shifts of tone within and between chapters, from menace to humour to those uncomfortable places in between.

Why thirty-one legs, you may ask? Buy the book to find out – and buy it for a short, punchy, amusing, thought-provoking read that, unlike taking on the role of a Vladimir Putin lookalike, you won’t regret.

Hataitai Literary Afternoon, Sunday 10 November, 4-6pm, Hataitai Centre, 157 Hataitai Road

Poster for the Hataitai Literary Afternoon being held on Sunday 10 November from 4-6pm at the Hataitai Centre, 157 Hataitai Road. Costs are adult $20, students & seniors $15, mezze platter $20. Tickets available from www.hataitai.org.nz

I’m very happy to have been asked to join a distinguished lineup of writers in this fundraising event, which is being held at the Hataitai Centre (the former Hataitai Bowling Club). The lineup is:

Jenny Bornholdt
Gregory O’Brien
Dame Fiona Kidman
Tim Jones
Sarah Scott

I’ll be reading poetry, including some climate poetry from New Sea Land and some new poems.

Tickets are adults $20, students and seniors $15. A mezze platter is available for $20.

From the event website:

“Celebrate local writers of Hataitai with live music and a relaxed chat, followed by readings by local poets Jenny Bornholdt, Gregory O’Brien, Dame Fiona Kidman, Tim Jones and Sarah Scott.

Profits raised will go towards sustaining a budding community programme of local creative art and literary events and workshops right here in Hataitai.

Mezze platters with a selection of delicious pairings for your pair with your BYO drink of choice. Vegan options are available.”

See hataitai.org.nz for more information!

Koe: An Aotearoa ecopoetry anthology launches on 22 August 2024 – plus recent writing news & events

Koe: An Aotearoa ecopoetry anthology launches on 22 August – you’re invited to the launch!

I’m delighted that my poem “All That Summer”, first published in my collection New Sea Land (2016), has been selected for this new anthology of environmental poetry from Aotearoa / New Zealand, edited by Janet Newman and Robert Sullivan. I’ll be one of the poets reading at the Wellington launch, which is at
Meow, 9 Edward Street, Wellington from 6pm on Thursday, 22nd August – the same day the anthology becomes available in bookstores.

Please share the event with your friends, fellow poets, artists and activists on Facebook at:
https://www.facebook.com/share/tgMg2PTEwB58NmCL/ – and please come along!

More about Koe

Koe invites readers to explore human connections with nature through a selection of over 100 poems composed in Aotearoa New Zealand from pre-European times to the present day. Including a substantial introduction and editors’ notes, Koe is the first anthology to provide a comprehensive overview of ecopoetic traditions in Aotearoa and to locate these traditions as part of the global ecopoetry scene.

In Koe, editors Janet Newman and Robert Sullivan reveal the genesis, development and heritage of a unique Aotearoa New Zealand ecopoetry derived from both traditional Māori poetry and the English poetry canon. Organised chronologically into three sections—representing the early years (poets born in or before the nineteenth century), the middle years of the twentieth century, and the twenty-first-century ‘now’—each segment presents a diverse array of voices. Across all these time frames, speaking from the conditions of their era, the poets delve into themes of humility, reverence and interconnectedness with the nonhuman world. They challenge traditional Eurocentric perspectives, highlight the significance of indigenous narratives, and wrestle with the impacts of European colonisation.

With more than 100 poems of celebration, elegy, apprehension, hope and activism, Koe gives us the history that holds our future.

New Poems Published in a fine line and Tarot

I’ve recently had new poems published in a fine line and Tarot – thanks very much to respective editors Gail Ingram and Kit Willett for selecting these poems for publication!

Check them out here:

a fine line (Autumn 2024): Tuesdays [a reprint], The Hedgehog Heart In Conflict With Itself [new]

Tarot 8: The Richter Scale (p. 30), Balcony (2023) (p. 47)

Where To From Here webinar for Our Climate Declaration

In July, I spoke to an Our Climate Declaration webinar about the nexus between climate writing and climate activism, referring both to my novel Emergency Weather and to the current political moment.. Thanks to Our Climate Declaration for the opportunity – check out the webinar below!

A Change In the Weather: The Climate Crisis In Poetry And Fiction

Photo of Dunedin writing event described in text

Tim Jones, Kay McKenzie Cooke, Michelle Elvy, Tunmise Adebowale, Mikaela Nyman, Jenny Powell – thanks to Kay for the photo!

I spent a couple of weeks in the south of the South Island in late June and early July, travelling with family and visiting friends. Along the way, I took part in a writing event in Dunedin, A Change In the Weather: The Climate Crisis In Poetry And Fiction on Thursday 4 July, which Michelle Elvy, Kay Mckenzie Cooke and I organised. The event was held in the Dunningham Suite at Dunedin Public Library – thanks very much to Ali and her team for setting the venue up & being such good hosts!

We had six readers:

Tim Jones
Kay McKenzie Cooke
Michelle Elvy
Tunmise Adebowale
Jenny Powell
Mikaela Nyman

and everyone read wonderful pieces! Then, afterwards, we had a really good discussion, covering both climate & environmental writing and climate activism, with the audience. Books got sold, drinks were drunk, nibbles nibbled (thanks to Kay and Robert for getting the drinks and nibbles) – it was a very positive event and I enjoyed it a lot. I lived in Dunedin from 1976 to 1993, and I felt very welcomed by the Dunedin literary community at this event.

Thanks to all our sponsors: The Cuba Press, Ōtepoti – He Puna Auaha / Dunedin City of Literature, Dunedin Public Libraries and the University Book Shop.

Emergency Weather: A Storm Warning

Tuesday 12 December 2023 dawned a fine summer’s day in Wellington. But in mid-afternoon, the weather changed. A southerly front raced up the country, bringing very strong winds, heavy rain and hail to Wellington and the Hutt. 

I was sitting at my desk, and I felt and saw the change: the temperature dropped abruptly, and sunshine was abruptly replaced by cascading rain. It was all over within 90 minutes, and despite over 20 mm of rain falling at our place within a few minutes, we got off fairly lightly.

But friends I’ve talked to since weren’t so lucky. One was inside a mall that rapidly flooded; another had part of their roof torn off their house – one of a number of buildings in the Hutt that suffered serious damage.

Author Andy Southall captures it well in his Goodreads review of my novel Emergency Weather:

“A day after finishing this book, a sudden and savage storm struck Wellington. At 2.50pm the sun was shining on what seemed to be a pleasant summer day. Ten minutes later the sky turned black, violent winds blew out windows, hail was smashing into the deck and sheets of water poured from the gutters. And that was in a less extreme part of the storm’s path. Elsewhere it was much, much worse.”

and this Radio New Zealand report gives the bigger picture.

My novel Emergency Weather begins and ends with storms – the first causes death and damage from north to south, while the second and stronger storm zeroes in on Wellington. Wellington has always been prone to storms, but climate change is loading the dice, making it more likely that when storms come, they will be damaging and destructive.

Emergency Weather cover at Petone beach

My novel is set against the context of a government in which (some) Ministers are at least trying to do the right thing. But the recent election, which Labour lost by a combination of its own timidity and many voters’ desire for something different, has brought to power a government including climate deniers, environmental vandals, and worshippers at the altar of the car. If climate change is on their agenda at all, it’s well below culture wars.

But physical reality doesn’t care about ideology. So long as we keep loading the climate dice by burning fossil fuels and forcing cows to produce milk, piss nitrates and burp methane, the storms and the fires and the flooding will get worse. If we stop, the climate will have a chance to recover. No amount of denialism changes that.

(Excuse me, Tim! It’s just before Christmas and you’re supposed to be encouraging people to buy your book!)

Err … buy my book if you’re looking for a good summer read – it’s not all, or even mostly, doom and gloom! – and have a great holiday! Here’s to lots of good reading, and good organising for change, in 2024.

All About “The World I Found”: An Interview with Latika Vasil

I enjoyed The World I Found, Latika Vasil’s new novel, a great deal – so I wanted to ask her more about it. Here is our interview!



Cover image of novel "The World Found" by Latika Vasil

How would you describe “The World I Found” to a potential reader?

The World I Found is narrated by 15-year-old Quinn and closely follows her journey from Campbell Island to the Wairarapa and finally home to Wellington, as she navigates a dangerous and eerie post-pandemic world. It will appeal to readers who enjoy a fast-paced adventure story as well as a dystopian setting. The familiar New Zealand environment in which the story is set may also appeal to readers who enjoy a local setting.

I really enjoyed Quinn as a protagonist. Did you enjoy writing from the point of view of a 15-year-old girl?

I enjoyed writing from Quinn’s point of view very much! I like that Quinn isn’t the perfect heroine. Like all of us she makes mistakes and gets things wrong. She has some wonderful qualities, such as her intelligence, adaptability and loyalty to those she cares about, but she is also impulsive and stubborn and these characteristics often get her into trouble. As the novel progresses, Quinn grows in confidence and also develops a love of nature and I enjoyed writing this.

I admire Quinn’s resourcefulness. Is that a case of her stepping up when circumstances demand, or is that innate in her character?

This is a tricky question and it is probably best answered as a bit of both. In the novel, Quinn finds herself in exceptional and totally unforeseen circumstances. She never expected to face the challenges that present themselves. I think we all wonder how we would react and cope if the world suddenly turned upside down, and all the many things we take for granted and which are essential to the smooth running of our day to day lives, disappeared. Quinn is faced with this reality and realises she has to step up and learn to look after herself. At first this doesn’t come easily but as the story develops, Quinn becomes more confident in her abilities and in her own judgement.

This novel is about a pandemic and its aftermath, and it was written during the Covid-19 pandemic. Did the real pandemic influence the fictional pandemic?

Funnily enough, I started the novel before the Covid-19 pandemic and then fiction became reality to some extent! Coming out of the Covid-19 pandemic I did wonder what things would be like in Aotearoa if a worse pandemic had hit us. I explored this scenario in the novel.

Without giving too much away, society reorganising itself after the pandemic in your novel doesn’t go entirely smoothly. Quinn and her friends Jeroen and Cal all respond in different ways to the situation they find themselves in. What leads them to respond in those different ways?

The trio of Quinn, Jeroen and Cal are all very different characters and all have had different upbringings and life experiences that influence the way they react to the new world they find themselves in. Jeroen, especially, has had huge trauma in his life and this impacts how he relates to people and situations. Quinn is more open and receptive to the way she feels about things. She is intuitive and this allows her to see things through a different lens than Jeroen who is very much operating on surface level and as Quinn observes ‘sees what he wants to see’.

Quinn is on Campbell Island when the pandemic hits. Did you need to do lots of research to write those scenes on the island?

Campbell Island is very remote and inaccessible. It is one of New Zealand’s subantarctic islands, 700 kilometres south of Bluff in the South Island. So, while I would have loved to travel there to get a firsthand experience of the island, I had to settle for second hand accounts. Luckily, Campbell Island is a fascinating place and there is quite a bit of material available describing the island and what it is like to live there. It is uninhabited but is occasionally visited by scientific expeditions and small cruise ships. One day I hope to visit!

You’ve previously written adult fiction. What, if anything, was different about writing YA fiction?

The main difference was being able to create an authentic voice for Quinn as a present-day young person. While all of us as adults have been 15 years old once in our lives and can draw from this experience in our writing, it is important to be in touch with what it’s like to be a young person currently, or in the near future as is the case in The World I Found. Once I found Quinn’s ‘voice’ and she began to feel fully fleshed out and real to me, the writing came easily.

Where can readers of this blog buy copies of “The World I Found”?

The World I Found is available from www.latikavasil.com and selected bookshops (see bookhub.co.nz)

Latika Vasil bio

Latika Vasil is an Indian New Zealander who lives in Te Whanganui-a-Tara Wellington. She has worked as a university lecturer, a researcher, a creative writing tutor and currently as a freelance writer. Her fiction has been broadcast on Radio New Zealand, and published in various anthologies and magazines, including Landfall and takahē. She has written two books of fiction: A collection of short stories, Rising to the Surface (2013, Steele Roberts Aotearoa) and a YA novel, The World I Found (2023, Black Giraffe Press).