What I’ve been reading: “The World I Found” by Latika Vasil and “Famdamily” by the Meow Gurrrls

My novel Emergency Weather has got off to a great start and there is more: (“Talking Up a Storm: The Making of Emergency Weather” this coming Wednesday, 12.30-1.30, Unity Books Wellington), but it’s time to talk about two books I’ve been reading and very much enjoying.

Fiction: The World I Found, by Latika Vasil

The World I Found is available from Latika Vasil’s website & via NZ BookHub.

The World I Found is a really good read. It’s a Young Adult novel seen through the eyes of 15-year-old Quinn, who is reluctantly dragged off to Campbell Island by her Mum, who is heading there as part of a scientific expedition. While Quinn is on the island, a worldwide pandemic breaks out, which means life is very different when she returns to Aotearoa and has to make her own choices in a radically changed world while attempting to find those of her family and friends who’ve survived, and deal with her attraction to a boy who can’t be relied on.

Latika Vasil does a great job of showing the world through Quinn’s eyes. She’s brave, resourceful, but also impetuous and at times beset by doubt. She’s a very realistic protagonist – I enjoyed seeing the world through her eyes. If you enjoy YA fiction as so many of us do, or if you’re a high school teacher looking for a well-written book that touches on important issues and tells a strong story through the eyes of a relatable protagonist, The World I Found is for you.

Poetry: Famdamily – Meowing Part 2, a poetry anthology by the Meow Gurrrls

Available in Unity or Good Books, by emailing meowgurrrls@gmail.com or via NZ BookHub

I went to the launch of this new anthology from The Meow Gurrrls, six Wellington-region poets whose work I’ve previously read, admired and sometimes reviewed: Janis Freegard, Kirsten Le Harivel, Mary Jane Duffy, Mary Macpherson, Abra Sandi King and Sudha Rao.

The launch was lots of fun, and so is this anthology of poems on the general theme of family.

With illustrations by Mary-Jane Duffy and photos of the six poets as children, this little book is an attractive package, but the real star is the poetry. I like all the poems, but some particular favourites include “Bikinis plural” by Mary-Jane Duffy, “Our need” by Mary Macpherson, “Fire Mom” by Abra Sandi King, “Les Frères” by Janis Freegard, “Letter to Arun” by Sudha Rao and “After-school mothers” by Kirsten Le Harivel.

Famdamily reminds me quite a bit of Millionaire’s Shortbread, one of my favourite Wellington poetry anthologies – and that’s a definite recommendation!

Emergency Weather: Successfully Launched, Well Reviewed, and More to Come!

Successfully Launched

Mandy Hager launches Emergency Weather
Mandy Hager launches Emergency Weather. Photo: Stephen Olsen

I was nervous heading into the launch of Emergency Weather. Unity is a great place for a launch, but it looks very empty if no-one comes – and there were other launches, as well as election meetings, on in downtown Wellington at the same time.

I needn’t have worried! Around 100 lovely people came to the launch, we sold plenty of books and I had a great time. It was good to see old friends, new friends, and people I’d never seen before!

Kate from Unity Books introduced the launch, then we heard from Paul from The Cuba Press and Cadence from the Whitireia Publishing programme before the book was launched by author Mandy Hager, whose speech really moved me. Then it was time for me to speak, read the very beginning of the novel, and sign lots of copies! If you missed the launch, the YouTube video is available or you can read Stephen Olsen’s report: https://wellington.scoop.co.nz/?p=155655 (he also took the photo above).

If you didn’t make the launch but would like to get on trend and buy a copy of Emergency Weather, it’s available:

* At Unity Books and Good Books in Wellington, and other independent bookshops nationwide, including UBS in Dunedin – if it’s not available from your nearest independent bookshop or Paper Plus, please ask them to order it in.

* Directly from The Cuba Press: https://thecubapress.nz/shop/emergency-weather/

* From Wheelers: https://www.wheelers.co.nz/books/9781988595726-emergency-weather/

* Through the new NZ BookHub site, launched three days after my book!

Tim Jones signs a copy of Emergency Weather
Tim Jones signs a copy of Emergency Weather (photo: Kate, Unity Books)

Well Reviewed

It’s also been good – and again, a testament to the hard work of The Cuba Press and Whitireia Publishing – to see reviews of Emergency Weather appearing. Online reviews:

Radio New Zealand: https://www.rnz.co.nz/national/programmes/afternoons/audio/2018910488/book-critic-catherine-roberston

Kete: https://www.ketebooks.co.nz/all-book-reviews/emergency-weather-jones

Aotearoa Review of Books: https://www.nzreviewofbooks.com/emergency-weather-by-tim-jones/

You can help a lot by adding the book to your Goodreads library and rating or reviewing it: https://www.goodreads.com/book/show/198972056-emergency-weather

More to Come

It’s not quite the Taylor Swift Eras Tour, but here are some upcoming Wellington events I’m involved in that you’re warmly invited to attend:

Unity Books Panel, Wednesday 18 October, 12.30-1.30pm: “Talking Up a Storm: The Making of Emergency Weather”: https://www.facebook.com/events/288705720676072/ (Facebook event link). Find out how a novel is written, edited, published and marketed.

Verb Wellington event, 11 November, 3-5pm – this one is for Remains to be Told, but I might weave in a mention or two of Emergency Weather as well.

Invitation to the launch of my new novel Emergency Weather

You are officially invited to the launch of my new climate fiction novel Emergency Weather – and here’s a look at the cover!

Emergency Weather launch invitation and cover image

The launch will take place on Wednesday 4 October at Unity Books Wellington, 57 Willis St, from 6pm – please encourage your friends to come along too!

Here is the Facebook event: https://www.facebook.com/events/667791528368999

Please sign up for this if you use Facebook, as it helps us know numbers attending.

Emergency Weather will be available from all good bookshops from 2 October – and also through https://thecubapress.nz/shop/

Festival of Flash, Sunday 19 June

I’m taking part in the Festival of Flash to celebrate 10 years of Flash Frontier magazine this Sunday, 19 June. There’s a lot going on – check it all out below.

Festival of Flash flyer

National Flash Fiction Day 2022 – an all-day Festival of Flash, closing with the awards night

A special day and evening celebrating ten years 2012-2022

Info and details here.  

Please join us at the Flash Frontier YouTube channel for our celebration of flash fiction in Aotearoa New Zealand.

Sunday 19 June 2022

Featuring: Special guests, musical interludes, new books, a celebration of languages of Aotearoa and features from NFFD’s centres
Youth stories & awards with Jack Remiel Cottrell
Adult stories & awards with Anne Kennedy and Kiri Piahana-Wong
NZ Society of Authors Regional awards
With special guests, raffle prizes and more!  
Please check out our panels and readings and then tune in for our national awards night.

Tune in here: Flash Frontier YouTube channel

Find this year’s Short List at the NFFD site, here,
with the youth Short List at
fingers comma toes.

Congratulations, all! 
A list of the festival events…

SUNDAY, 19 June 2022
Celebrating ten years 2012-2022!
 
 
lively discussions * guest readers * judges’ comments * NFFD awards * NZSA regional awards * raffle prizes * special features from our regions * musical performances * book giveaways
an all-day series of free events livestreamed to the Flash Frontier YouTube channel

more info here

09:00-10:00 AM Panel discussion: Shaping your narrative –novella-in-flash & story collections

10:15-11:15 AM Reading: Packing a punch in small spaces – nuance and humour

11:30-12:30 PM Panel discussion: Youth voices

12:45-01:45 PM Panel discussion: Fairy tales and myths

02:00-03:00 PM Reading: Selections from the youth long list

03:15-04:15 PM Panel discussion: Languages of Aotearoa

04:30-05:30 PM Panel discussion: Writing our world

06:00-08:00 PM ONLINE AWARDS NIGHT

Please go to the website for information
about festival topics, participants, links, etc.


nationalflash.org
Ngā mihi, Michelle Elvy   James Norcliffe   Gail Ingram 
 Rachel Smith   Vaughan Rapatahana
www.flash-frontier.com

Novella Review: “A Sky of Wretched Shells,” by Mark Blackham

Cover image of "A Sky of Wretched Shells", a novella by Mark Blackham


Mark Blackham’s A Sky of Wretched Shells is the third book in The Cuba Press’ novella series, following my novella Where We Land and Zirk van den Berg’s I Wish, I Wish. Both Where We Land and A Sky of Wretched Shells are climate fiction novellas, but they’re very different: Where We Land is about our near-future response to climate change, while A Sky of Wretched Shells is set further in the future, when most of the world has fallen victim to ecological disaster and only one island offers hope for survival.

On the island of Woleai, 15-year-old Mala and his people live in relative peace and safety as the rest of the world falls apart. The arrival of two Western outsiders brings an end to this fragile equilibrium.

I won’t say more about the plot, because a lot happens in this novella that it would be a shame to spoil. I will say that there’s some really beautiful descriptive writing and imagery in A Sky of Wretched Shells: I got a strong sense of place from Mark Blackham’s novella.

Nevertheless, I struggled with some of the choices the central character, Mala, made – from my point of view, he persistently makes choices that puts his island and his people at greater risk. (Though my decision-making at age 15 may not have been the greatest, either, and the end of the novel suggests that he has made better choices than it first appears.)

The ending took the story in directions I didn’t expect, reactivating the sense of wonder I used to get as a teenager from reading science fiction, even as my adult eye was casting a more sceptical gaze over proceedings. So I ended the novella with mixed feelings: but given the quality of his descriptive writing and the scope of his imagination, I’m keen to see what stories Mark Blackham writes next.

Two New Books: “Upturned” by Kay McKenzie Cooke and “I Wish, I Wish” by Zirk Van Den Berg

I’ve been catching up with my reading over the holidays – here are two new books worth your attention, both published by The Cuba Press.

Upturned is a new poetry collection by one of my favourite poets. I Wish, I Wish is the second volume in the Cuba Press Novella series – my climate fiction novella Where We Land was the first in this series.

Upturned by Kay McKenzie Cooke.

Kay McKenzie Cooke is one of my favourite poets. Her poetry connects with me on both levels that really matter to me: emotion and language. For me, there’s an extra level of connection in that Kay was born in Murihiku / Southland, where I grew up, and some of her poems feature places I know well and times I’ve experienced.

But even if you have no connection with Southland – or for that matter Berlin, where a section of this collection is set – these poems are likely to speak to anyone who enjoys beautiful, resonant writing that is strongly connected with land, people and memory.

These poems are both highly skilled and very welcoming – this is poetry that invites you in rather than fences you out. So even if you don’t usually read poetry, give Upturned a try. You won’t regret it.

Front cover of Upturned, a poetry collection by Kay McKenzie Cooke


I Wish, I Wish by Zirk Van Den Berg

As the title signifies, I Wish, I Wish is a fairy tale – but it’s a very down-to-earth one. Mortician Seb’s monotonous life is abruptly upturned after he meets a dying young boy called Gabe. At the start of the novella, Seb is thoroughly stuck in an unsatisfying life that’s going nowhere, and by the end … well, read it and find out.

This novella works because Zirk Van Den Berg steers away from sentiment while communicating the protagonist’s emotions effectively. This is a very well-written book, with neat touches of humour that offset what could otherwise be too moralistic a narrative. I wasn’t sure I wanted to start 2021 by reading another story about death, but before long I was caught up in this novella, and I think you will be too.


Front cover of I Wish, I Wish, a novella by Zirk Van Den Berg

Good Reviews on Goodreads For “Where We Land”

My climate fiction (cli-fi) novella Where We Land has been getting good reviews on Goodreads. Here are some excerpts from those reviews:

On Goodreads:

“This novella set in the near future deals with the human impact of the worsening climate crisis…. Amid societal brutality and xenophobia, there are still a few glimmers of compassion.

“This is a beautifully written novella in the cli-fi genre…. The characters are compelling and the story gripping. Highly recommend it!!”

(Read the full reviews here: https://www.goodreads.com/book/show/46028957-where-we-land)


From Tabatha Wood’s review for SpecFicNZ:

“Jones talks in depth about human resilience and the determination to survive. The ability to keep going even when all seems lost. He examines our humanity; how we respond to threats and challenges, but ultimately how we, as a global species, behave to one another. The tension is high, the characters relatable, and Jones deftly manoeuvres you into bearing witness to the unfolding plot. He places you squarely in both Nasimul and Donna’s shoes. What would you do if…? he asks.”

Read the full review: https://specfic.nz/2019/08/12/book-review-where-we-land-by-tim-jones/

You can read more of Tabatha’s reviews and her writing on her blog.

“Where We Land” is a print novella – but you can also buy an earlier version of this story as “Landfall”, an ebook from Amazon.

Book Review: The Last Church, by Lee Pletzers

The Last Church is available from Amazon.com. Other availability details are on Lee Pletzers’ website. The Last Church is published by Black Bed Sheet Books, RRP US $20.95.

New Zealand horror writer Lee Pletzers’ The Last Church does the job of a good horror novel (or, I suppose, any novel): it keeps you turning the pages, wanting to know what happens next, and hoping that at least some of the characters – not to mention the world – will make it out alive at the end of the story.

And the fate of the world is very much at stake. I don’t want to give too much away, so let’s just say that there’s a man with a plan for the future of the world which isn’t what most of us would wish for; that this man has, or embodies, demonic assistance; and that a diverse coalition of characters with less power but equal determination come together to stop him — or, at least, to try.

Along the way, quite a lot of the characters meet gruesome fates. And some of them are very gruesome: The Last Church doesn’t stint on sex, violence, and in some cases sexual violence. You have been warned.

It took me a while to get into the story. There is a large cast of characters to start with – before the main villain and his henchpeople start to whittle them down — and the story jumps between several time periods. I had trouble keep track of everything and everyone for about the first quarter of the novel. Also off-putting were quite a few proofreading and grammatical errors: mostly minor things, like missing apostrophes, but until I got into the flow of the story I found these distracting. I know only too well how hard it is to eliminate all such errors, but another proofreading run would benefit future printings of the novel.

As I read, I wasn’t always convinced that characters’ motivations for their actions were sufficiently well established. The principal villain is a nasty piece of work, but he has a goal, and his actions are consistent with that goal. On the other hand, to my eyes at least, the behaviour of his “dream woman” and subsequent consort seems inconsistent; or, put another way, I didn’t feel I had a clear enough understanding of her character, so that her actions sometimes seemed arbitrary rather than well-founded.

But it would be a mistake to dwell on the negatives. The Last Church is scary, gruesome at times, and increasingly gripping as it approaches its climax. If you like horror with a side order of apocalypse, The Last Church is worth a visit.

Southern Ocean Review: The Final Issue

The 50th issue of Southern Ocean Review, which has just been posted, is also the last issue.

Every three months for over a dozen years, on the 12th of the month, editor Trevor Reeves has got an issue of Southern Ocean Review on line. I don’t know whether that sounds like much of an achievement to you, but to me, that shows an incredible level of dedication to the task in hand.

But I don’t mean to imply that Southern Ocean Review has been notable only for the regularity with which it has been produced. Take a look at the roster of contributors to the current issue and you’ll see that there’s a mixture of lesser- and better-known writers. This has been true throughout the magazine’s history.

SoR has always been a hospitable place for new writers to find their feet. My first contributions to it appeared in Issue 6, and I had a couple more stories and several poems appearing there over the years, with my most recent contribution being in Issue 48.

In addition, each issue of SoR has carried a series of short reviews of New Zealand books and literary magazines – the final issue’s review column includes a review of JAAM 26, which Helen Rickerby has blogged about. This review column has probably carried the most comprehensive reviews of New Zealand literary publications, and in particular, small press publications, during the last dozen or so years.

So I’ll be sorry to see Southern Ocean Review go, but I also hope its closure will free up more time for Trevor’s own writing. I’m going to interview Trevor within the next couple of months on this blog, so I’m looking forward to that opportunity to find out what he has in mind.

In the meantime, do check out Southern Ocean Review while you have the chance.

What I’m Writing

I set up this blog to write about and promote the three books I had published between September 2007 and June 2008 – All Blacks’ Kitchen Gardens, Anarya’s Secret and Transported – plus post about other writers, books, and matters of interest to me. I’ve been doing all that, and will keep doing it, but I realised a few days back that there was one topic I hadn’t tackled: what I’m writing now.

I write short stories, poetry, and novels. Inefficient, maybe, especially for someone who writes part-time, but that mix doesn’t seem likely to change in the near future – because I’ve got all three types of writing on the go. My main focus is my new novel, but short stories and poetry refuse to be entirely set aside.

First, the novel. I’m prone to calling it “my new novel”, but that’s not strictly accurate. Before I wrote Anarya’s Secret, I had written another novel, with the working title “Antarctic Convergence”. The jumping off point for “Antarctic Convergence” was a story I wrote in 2000, “The Wadestown Shore”, which is included in Transported.

[SPOILER ALERT]

This is the story that begins:

I cut the engine in the shadow of the motorway pillars and let the dinghy drift in to the Wadestown shore. The quiet of late afternoon was broken only by the squawking of parakeets. After locking the boat away in the old garage I now used as a boatshed, I stood for a moment to soak in the view. The setting sun was winking off the windows of drowned office blocks. To the left lay Miramar Island, and beyond it the open sea.

and ends:

The sunken office blocks of the Drowned city were far behind me. The rich waters and virgin shores of Antarctica lay ahead. I made my way forward to greet them.

[/SPOILER ALERT]

“The Wadestown Shore” is (in revised form) also Chapter 1 of the novel.

I finished the initial version of this novel in 2004, but was unable to get it published. I decided to shelve it for a while, write something else (that turned out to be Anarya’s Secret), and then revisit the novel and the feedback I’d had on it.

I did that earlier this year, and though there are some valid arguments against rewriting your first completed novel, I felt that the basic idea of “Antarctic Convergence” was still good, but that the novel had major structural problems, especially in its second half. So I’m rewriting it pretty much from scratch, and I’m almost half way through the redraft. More news, I hope, in 2009.

Next, the short stories. I’ve written three new stories since Transported was put to bed, and am currently working on a fourth which I’m trying to finish in time for an anthology submission deadline. That isn’t exactly enough for a collection, and I’m putting completing the novel ahead of writing lots more stories, but I will keep plugging away. When new stories of mine do appear in print or online, I’ll let you know.

Last but not least, the poetry. Although All Blacks’ Kitchen Gardens was published in 2007, I completed the manuscript (more or less) in 2005, so I have had three years to get some more poetry written. But, whereas I can decide that I’m going to work on my novel for the next two hours, sit down, and get 1000 or so words written, I have found that I can’t make myself write poetry: it arrives when it wants, and when it doesn’t want, nothing will induce it – yes, it’s that old favourite “the muse” again!

All the same, when checking the other day, I found that I had 29 poems which I’d consider putting towards a new collection – and what’s more, 29 poems that fit a theme. Will I write more poems that fit this theme and assemble them beautifully into a collection, or will I go off on a complete tangent? Watch this space!