Southland – Tim Jones

Dan Davin Literary Foundation Writer in Residence 2023 – Expressions of Interest

Posted on January 21, 2023January 21, 2023

Tim says: From personal experience, I can say the Dan Davin Literary Foundation does a great job of looking after their writers – if you’re a short story writer, I encourage you to check this out and apply!

In 2023 the Dan Davin Literary Foundation is calling for expressions of interest from established New Zealand short story writers to undertake a Writer in Residence based in Invercargill for 3-6 weeks.

This is a new residency which we host on a biennial basis and started in 2019. This residency has been made possible through a generous bequest from Laurie King and the support of the Southern Institute of Technology.

In 2019 our inaugural writers in residents were Majella Cullinane and Maxine Alterio of Dunedin. They undertook a joint residency for 6 weeks in Southland. As part of their stay they went above and beyond, hosting a range of workshops and public talks across the region. We appreciate the great start they gave us for this residency programme. In 2021 we hosted Colleen Maria Lenihan, who arrived just in time for the August lock down. Despite this she was still able to experience all Murihiku has to offer.

In 2023 we are looking to host the writers in residence programme again. This residency is for an established short story writer who wishes to spend 3-6 weeks in Southland. The residency includes a trip to Stewart Island and to Milford Sound for the writer as well as accommodation and a stipend. In return we ask that the writer provides writing workshops for Southland residents and if possible and appropriate participates in public engagements. We also ask that they provide some commentary on their experience for our Facebook page and website.

The specific skills we are looking for from the resident are the ability to teach writing workshops.

In 2023 the Dan Davin Award for adults will be short story writing. The writer in resident may wish to be the judge for this competition.

Residency expectations:

The Residency length is at the discretion of the resident but is expected to be between 3-6 weeks and should conclude at or around 1^st of September (Dan Davin’s birthday)
The Resident is expected to deliver the Dan Davin Lecture as part of the Dan Davin Award on or about 1 September
Accommodation will be provided for the resident. This possibly at Yule House, a historic home in Invercargill run by SIT. This is a 3 bedroom home which may be used by visiting tutors at SIT while the residency occurs
It is expected that the resident will stay in the accommodation provided for the duration of the residency
A stipend of $500 per week will be paid to the resident
The Foundation will cover costs of one return trip to Invercargill
Use of a vehicle can be arranged for the resident as required
As part of the residency the resident undertakes no less than 2 workshops for high school students and adults
The resident writes several blog or Facebook posts which the Foundation can use to showcase the residency
As part of the residency the Foundation will arrange a 2 night trip to Stewart Island and a Milford Sound experience
A co-working space will be available for writing if requested
This residency will not allow partners and children to stay at Yule House

If you are interested in applying for the Dan Davin Literary Foundation Writer in Resident please write to us care of dandavin@xtra.co.nz

Please provide the following information:

A brief outline of your writing experience (note this residency is for established writers)
A brief description of the work you would like to do
Experience in tutoring both students and adults
How many weeks you would be interested in being resident and proposed dates
If the above expectations are suitable for you

Expressions of Interest close 31 March 2023. We expect to notify the successful applicant by the end of May 2023 following a shortlisting process.

For any questions, please contact us through our email address above.

Regards

Rebecca Amundsen
Chair, Dan Davin Literary Foundation

Two New Books: “Upturned” by Kay McKenzie Cooke and “I Wish, I Wish” by Zirk Van Den Berg

Posted on January 6, 2021January 6, 2021

I’ve been catching up with my reading over the holidays – here are two new books worth your attention, both published by The Cuba Press.

Upturned is a new poetry collection by one of my favourite poets. I Wish, I Wish is the second volume in the Cuba Press Novella series – my climate fiction novella Where We Land was the first in this series.

Upturned by Kay McKenzie Cooke.

Kay McKenzie Cooke is one of my favourite poets. Her poetry connects with me on both levels that really matter to me: emotion and language. For me, there’s an extra level of connection in that Kay was born in Murihiku / Southland, where I grew up, and some of her poems feature places I know well and times I’ve experienced.

But even if you have no connection with Southland – or for that matter Berlin, where a section of this collection is set – these poems are likely to speak to anyone who enjoys beautiful, resonant writing that is strongly connected with land, people and memory.

These poems are both highly skilled and very welcoming – this is poetry that invites you in rather than fences you out. So even if you don’t usually read poetry, give Upturned a try. You won’t regret it.

Front cover of Upturned, a poetry collection by Kay McKenzie Cooke

I Wish, I Wish by Zirk Van Den Berg

As the title signifies, I Wish, I Wish is a fairy tale – but it’s a very down-to-earth one. Mortician Seb’s monotonous life is abruptly upturned after he meets a dying young boy called Gabe. At the start of the novella, Seb is thoroughly stuck in an unsatisfying life that’s going nowhere, and by the end … well, read it and find out.

This novella works because Zirk Van Den Berg steers away from sentiment while communicating the protagonist’s emotions effectively. This is a very well-written book, with neat touches of humour that offset what could otherwise be too moralistic a narrative. I wasn’t sure I wanted to start 2021 by reading another story about death, but before long I was caught up in this novella, and I think you will be too.

Front cover of I Wish, I Wish, a novella by Zirk Van Den Berg

Southern Writers at Te Awe Brandon Library – 20 Oct 2020

Posted on October 14, 2020October 14, 2020

From the Wellington City Library blog:

Image shows books by poets taking part in the Southern Writers event
______________________________
20 October 2020
Te Awe Library – 29 Brandon Street
12.30pm to 2pm
______________________________

Join the Facebook event: https://www.facebook.com/events/2763822373868512/

This event inaugurates the Te Awe event space, with six fine poets and prose writers giving a very special lunch time reading. All hail from Dunedin or Southland.

They are:

Kay McKenzie Cooke, Richard Langston, Tim Jones, Nick Ascroft, Madison Hamill and Jenny Powell, with Mary McCallum reading some of the late Elizabeth Brooke-Carr’s work.

So why not take this rare opportunity, grab your lunchtime sandwiches or buy one from the Te Awe café, and enliven your lunch listening to some of New Zealand’s finest poets reading from their works. Enjoy.

Hop across to the Wellington City Library blog for further details of the poets and their latest books!

Images of authors taking part in the Southern Writers events

Full Of The Warm South*

Posted on May 5, 2011

As I reported in March, I was delighted to be invited to take part in the Readers And Writers Alive! Festival in Invercargill on Friday 29 and Saturday 30 April.

And the whole thing couldn’t have gone better. The weather was fine and warm – I was wishing I had packed shorts and jandals, not long-sleeved shirts and jackets. The Festival organisers, and behind them the Dan Davin Literary Foundation and the Invercargill Licensing Trust, do a great job of looking after both presenters and participants, none more so than event organiser Rebecca Amundsen, backed up by Foundation chair Hamesh Wyatt and the helpful & friendly Invercargill Public Library staff.

Arriving just before lunch, I spent Friday afternoon walking the same paths I used to take as a child forty years ago, until the heat of the sun got too much for me and I retreated indoors for wi-fi and poetry preparation.

The Friday evening poetry reading involved four poets: in reading order, Kay McKenzie Cooke, Lynley Dear, myself and Joanna Preston.

The crowd was small, due to a triple threat of competing attractions, none of which had been scheduled when the workshop schedule was planned: the Royal Wedding, the Highlanders vs Blues game, and the Breakers’ deciding final against the Taipans. But the audience appeared to enjoy it, just as I enjoyed hearing all the poets and taking a good number of my own Southland poems for a spin. Afterwards, we headed out to Waxy’s for a highly entertaining dinner.

On Saturday the 30th, I ran a workshop called “Writing Different Worlds” with twenty participants, including Kay and Joanna, which covered the range of speculative fiction: science fiction, fantasy, horror, and those more elusive beasts such as fabulation, magical realism and metafiction. One participant came up with a great example of metafiction (fiction about fiction) as her response to a writing exercise. Participants ranged in age from 14 to a considerable number of multiples of 14.

Two things struck me about this workshop. The first was the talent and enthusiasm of the writers present, which shone through in the results of the two writing exercises I set and also in the many questions and comments that people made. Most people got the chance to read out the work they had done during the exercises. The overall quality of work was high, but even better, I twice had one of those intake-of-breath moments when, within a few sentences of hearing new work by a writer I’d never met before, I realised that they were – or had the potential to be – really, really good. That doesn’t happen often, and it’s a great feeling when it does.

The second thing was the sense of isolation many of the writers expressed. I remember feeling isolated when I lived in Dunedin and was just starting to take writing seriously; in Invercargill, three hours’ further down the line, the feeling of being cut off from the “main centres” of New Zealand writing activity is even stronger. The Festival plays a valuable part in countering this tyranny of distance, but there is room for a lot more to be done.

Full many a rose is born to blush unseen
And waste its sweetness on the desert air

… or so said Thomas Gray. There are roses indeed blooming in Southland; it would be a great pity if their sweetness went to waste.

Kay McKenzie Cooke and Joanna Preston have both blogged about the good time they had at the weekend (it was a pity I couldn’t stay for Joanna’s workshop: despite all the mischief she had threatened, she was an exemplary participant in mine!)

UPDATE

Workshop participant Claire has also posted her report of the workshop, and it sounds like she enjoyed it too.

*Tip o’ the hat to John Keats for the title, via Dennis McEldowney.

A Mainland Double: Tales For Canterbury and the Readers And Writers Alive! Festival

Posted on March 24, 2011

Tales For Canterbury

In just over a month since the Christchurch earthquake of 22 February, editors Cassie Hart and Anna Caro have done an amazing job of pulling together Tales for Canterbury, a fundraising anthology to benefit the victims of the earthquake, with all proceeds going to the New Zealand Red Cross Earthquake Appeal.

Tales for Canterbury is now available for pre-order as an ebook (in pdf, mobi, and epub format) and as a paperback – I’ve just ordered my paperback copy. It should be published in April, so you won’t have long to wait for it.

There’s a blog detailing the progress of the anthology, and if you’re not sure whether you’d like one, you might want to check out the list of contributors. There are a few names there you might know – Neil Gaiman, for example; not to mention Janis Freegard, Gwyneth Jones, Jay Lake, Helen Lowe, Tina Makereti, Juliet Marillier, Jeff Vandermeer, Sean Williams, and many, many more fine writers. I am honoured to have a story in such company.

Readers And Writers Alive! Festival (Invercargill)

I lived in Southland between the ages of four and sixteen, and though that’s, well, several years ago now, I have written a lot of poetry about and set in Southland, and have even set a science fiction story in Gore.

So it has always been a private ambition of mine to take part in a Southland literary event, and I’m delighted to say that this ambition is about to be realised. I’m going to be a participant in the Readers and Writers Alive! programme of the Southland Arts Festival 2011, organised by the Dan Davin Literary Foundation, for whom Helen Lowe is currently running writing workshops.

I’m taking part in two events: a poetry reading featuring Joanna Preston, Kay McKenzie Cooke and Lynley Dear on Friday 29 April; and a writing workshop the following day. For that, I’ll remove my poet’s beret and put on my SF writer’s battered propellor beanie to run a workshop on “Writing Different Worlds”. I have to return to Wellington that night, so I’m unfortunately going to miss Joanna’s poetry workshop the following day, which should be excellent.

Reading with friends, and with poets I admire; getting an extended time to run a spec fic writing workshop; and returning to the scene of my youthful (mis)deeds. It’s all good.

Fallen / Niedergang

Posted on November 4, 2009

A couple of years ago, a poem from my first collection, Boat People, was selected for inclusion in Wildes Licht, an anthology of New Zealand poetry with German translations, edited by Dieter Riemenschneider.

I was pleased not only because it always feels good to have work anthologised, but also because I have an interest in literary translation, and a particular liking for books which have the original on one page and the translation on the facing page.

Subsequently, however, due to a change in publishing arrangements, the manuscript had to be shortened, and mine was one of the poems cut. I was disappointed about this, but since Mark Pirie and I had undergone exactly the same process while finding a publisher for Voyagers, I recognised that this is just one of the realities of the publishing process.

Dieter was kind enough to send me the translation of “Fallen” that would have appeared in “Wildes Licht”, and give me permissions to publish it here. The print version has some indentation which didn’t work well online, but that apart, here are “Fallen” and its German translation, “Niedergang”.

Fallen

Driving through Mandeville. Empty windows, empty houses,
a craft shop sprung like fungus from the bones of the dying town.

The cenotaph stands roadside. Blunt, unwearied,
it commends to our attention the names of the anxious dead.

They grew, these Southland towns, on the graves
of the children of Tane. Mandeville, Riversdale –
Myross Bush, Ryal Bush, Gummies‘ …

the land groaned with the weight of their money.
As the tribes were pushed to the margins, fat lambs
grew fatter. Knives flashed cold on the chains;
eels tumbled and writhed over offal.

Now, thistles nod in the hard-pan fields. Children
are a letter from the city, a ten-hour drive at Easter.
The wealth
went with them. No mirror glass monuments here.

But the Council keeps the graveyard clean; and our dust
settles impartially
on the sign: “Country Crafts – Buy Here!”
and the sign that their dead live on, and will do so, chiselled in stone,
till new trees and new ferns drag them down.

Niedergang

Eine Fahrt durch Mandeville. Hohle Fenster, leere Häuser,
ein Kunstgewerbeladen wie ein Pilz aus den Knochen der sterbenden Stadt entsprungen.

Das Ehrenmal am Straßenrand. Plump, unermüdlich
empfiehlt es uns, sich der Namen der Toten zu erinnern.

Sie wuchsen, diese Südlandstädte, auf den Gräbern
der Kinder Tanes. Mandeville, Riversdale –
Myross Bush, Ryal Bush, Gummies’ …
das Land stöhnte unter der Last ihres Geldes.
Während die Stämme an den Rand gedrängt wurden,
setzten fette Lämmer mehr Fett an. Messer blitzten kalt an den Ketten;
Aale wandten und stürzten sich auf die Innereien.

Jetzt nicken Disteln auf den pfannentrockenen Feldern. Kinder
sind ein Brief aus der Stadt, eine Zehnstundenfahrt an
Ostern. Der Wohlstand
zog mit ihnen fort. Keine Spiegelglassdenkmäler hier.

Doch der Stadtrat hält den Friedhof sauber; und unser Staub
senkt sich unbefangen
auf das Schild ‘Einheimisches Kunstgewerbe –
hier zu kaufen!’ und das Schild, dass die Toten weiter leben und weiter leben werden,
in Stein gemeisselt,
bis neue Bäume
und Farn sie niederziehen werden.

Ruth Dallas, 1919-2008

Posted on April 4, 2008

Yet another obituary for a fine New Zealand poet. After Bernard Gadd and Hone Tuwhare comes news that Ruth Dallas has died.

In my opinion, Ruth Dallas isn’t as well known, or as well read, a poet as she deserves. She grew up and began writing poetry in Invercargill (for readers from overseas, this is New Zealand’s southernmost city, well away from the country’s main centres of population). She later moved to the university city of Dunedin, where she lived for the most part away from the literary scene. While her work had some powerful supporters, such as Charles Brasch, her poetry (and children’s books) were strongly located in the Southland landscape, and this did not appeal to a number of metropolitan critics.

The empty landscapes of Southland may not be for everyone, but I grew up there, knew and loved the places she was writing about, and found her concise and elegant poetry all the more evocative the further I moved from my Southland roots.

I recommend that you look for her Collected Poems (2000), check out her poem Calm Evenings online, and read her obituary in the Southland Times. In her quiet way, she was a major New Zealand poet, and certainly the pre-eminent Southland poet; and in her quiet way, she will be greatly missed.