The New Zealand Poetry Society International Poetry Competition 2022 is open!

I edited the 2021 New Zealand Poetry Society anthology Kissing a Ghost, with the invaluable assistance of Anne Harré who did the design and production work – and I’m also going to edit the 2022 anthology.

Cover of poetry anthology Kissing a Ghost

Each year’s anthology includes all the winning, placed, highly commended and commended poems from the four categories of the NZPS’s International Poetry Competition, which means around half the poems in the anthology are chosen by the judges. My job as editor is to go through all the remaining competition entries and select those that I like most and that will make for a rounded anthology that works as a book.

Check out the competition info below from the New Zealand Poetry Society and start putting your competition entry together! The competition closes on 31 May 2022.

The New Zealand Poetry Society Competition for 2022 is open for entries!

Our competition is open to all members and non-members, worldwide, with members receiving an entry fee discount.

There are cash prizes to be won in each category, and all entries are eligible to be published in our anthology. Our annual anthology includes all placed and commended poems, as well as a selection of other favourite poems from the competition.

Poets can enter one of these four sections:
Open verse for adults (18 years and over)
Open verse for juniors (17 years or younger)
Haiku for adults (18 years and over)
Haiku for juniors (17 years or younger)

Class teachers can enter multiple poems from their students, using the school group form. There is also a discount for entering multiple entries as a school group.

Entry forms for all categories including school groups are now available to download on our website. Remember to read through the guidelines and rules for the section you’re submitting too, we’d hate to see your work disqualified. Since this international competition is open to all, forward this email to any and all friends, family, co-writers and fellow poetry enthusiasts, get the word out there!

Entries must be received by 31 May 2022.

Keen to enter? Click here for submission guidelines and entry forms!

Due to COVID-19, our competition is running solely online this year. If you have previously entered by post and would like guidance in entering online, we are happy to help. For this and any other queries, please email the Competition Coordinator, Georgia Wearing, at competition@poetrysociety.org.nz

Three New Poetry Books: Shelter, Up Flynn Road…, and Kissing a Ghost

One of my writing ambitions for 2022 is to get cracking on a new collection of poetry – my last few years have been very much about climate activism and, when I’ve been writing, climate fiction. Poetry is my first love as a writer and one I’m always keen to return to.

As a herald of what I hope will be more focus on reading and writing poetry in 2022,* here’s a review of a new poetry collection by Kirsten Le Harivel plus news of an anthology I contributed to and one I’ve edited.

*There is that idea for a sequel to Where We Land, though…

Review: Shelter, by Kirsten Le Harivel

Shelter is a collection of precisely observed poems that traverse cities, countries and places important to the poet: Glasgow, Ahmedabad, Kāpiti, and many others: a Tuapeka sheep truck, the Isle of Bute, Hiroshima, the corner of Cuba and Manners.

Kirsten Le Harivel has a sharp eye for people, places and the ways they interact, piling up words into pictures – that’s especially the case for the many fine prose poems in Shelter. There are many memorable lines here, and for much of the collection, the effect of the poems is cumulative rather than immediate. Helen Lehndorf says in her endorsement of the collection, “Le Harivel writes elegant, restrained poems which will soothe you, move you and ultimately, shelter you.”


Cover of poetry collection Shelter

It was the less restrained poems in Shelter, those with a clearer path through the elegant surface to the thoughts and feelings within, that appealed to me most. In her endorsement, Lynn Jenner comments that “Shelter contains the best poem about sex that I have ever read,” and it was the poems about sex and love that really stood out for me: funny, passionate, pissed off, or all three. I won’t quote “Bedroom”, but you’ll remember it once you’ve read it!

I will quote “Pillow talk” (p. 62):

“If you were here
the motes would float out
the upper window,
the breeze would linger,
there would be no interruptions.
I would ride your bed

and the smell of us would mingle…”

A beautiful poem about love, sex and recollection – but even better is “Writing conversations”, a love poem brought to you by the letter F where desire and The Oxford English Dictionary lose out to the Olympics: love as a sprint, not a marathon.

Shelter is powerful, controlled, and often smooth – yet it’s the sharper edges I’ll remember most.

New Anthology: Up Flynn Road, across Cook Strait, through the Magellanic Crowd

My poem “Interrupted Journey” is included in this new anthology of travel poems, edited by Norman P. Franke and published by Orplid Press. It’s a lovely production and there are some excellent poems here – find out more and buy your copy from Poppies Bookshop, Hamilton.

Cover of poetry anthology Up Flynn Road...

New Anthology: Kissing a Ghost

With Anne Harré, who did the design and production work, I edited this year’s New Zealand Poetry Society anthology Kissing a Ghost, which contains all the winning, placed, highly commended and commended entries from the NZPS International Poetry Competition 2021 plus additional poems I chose from among all the entries. Check out the lovely cover Anne designed!


Cover of poetry anthology Kissing a Ghost

This anthology contains a lot of fine contemporary poetry and haiku from Aotearoa and abroad. If you’d like to buy a copy, here’s how:

For New Zealand Orders:
https://buy.stripe.com/5kA7sP65zatkfoA5km

For Australian Orders: https://buy.stripe.com/cN23cz3Xr1WO90c3cf

For Rest of the World Orders:
https://buy.stripe.com/cN2eVh1PjdFwa4g9AE

Reasons To Be Cheerful, Part Four

 
There are some things to dislike about summer nearing its end, but one of the good things is that, as the days draw in, the monthly poetry reading sessions in Wellington resume.

Earlier this week, I went to the first sessions for the year of two of Wellington’s longer-running poetry reading sessions: Poetry at the Ballroom Cafe in Newtown on Sunday afternoon and then the New Zealand Poetry Society (Facebook | Twitter | Web) at the Thistle Inn on Monday night. The respective lineups were:

* Ballroom Cafe: open mike (good mixture of performance and “page” poets), musician (jazz pianist Gilbert Haisman), and guest reader (poet Pat White). I had to leave before the end of Pat’s reading as I had something else on immediately afterwards, but there is a quiet power to his poetry that becomes evident as he reads it.
* New Zealand Poetry Society: open mike (one of the best I’ve heard at the NZPS), guest reader (poet Teresia Teaiwa).

I enjoyed both sessions very much, but the absolute highlight from me was hearing Teresia read. I’d heard her read a few poems before, but the way she put the reading together and wove her poems in with a narrative was an absolute treat. If you get the chance to hear her read, I advise you to take it!

All being well, I’ll be doing some more guest readings this year, partly on the back of Men Briefly Explained. The first of these will be in Porirua in April as part of the monthly Music at the Metro series – I am looking forward to it.

I don’t believe I will be required to sing, but if I was, I would naturally sing this, since it’s referenced in the Men Briefly Explained poem Queens of Silk, Kings of Velour:

The New Zealand Poetry Society’s 2010 International Poetry Competition

The New Zealand Poetry Society’s annual International Poetry Competition, Verse and Haiku, is under way, with Open and Junior Sections. The Junior Open and Junior Haiku sections are open to students who are 17 years of age or younger on 31st May 2010. Please visit our website at www.poetrysociety.org.nz for full competition details and to download the entry forms. Last year’s results, including winning poems and judges’ reports, are also on the website.

Entries must be received by 31 May 2010.

Prizes

Open: 1st – $500; 2nd – $250; 3rd – $100
Open Junior: 1st – $200
Primary/Intermediate: 1st runner-up – $100; 2nd runner-up – $50
Secondary: 1st runner-up – $100; 2nd runner-up – $50
Haiku: Top five haiku – $100 each, plus First Prize Winner receives the Jeanette Stace Memorial Prize of $150.
Haiku Junior: 1st, 2nd, 3rd, Primary/Intermediate – $50 each; 1st, 2nd, 3rd, Secondary – $50 each

In addition, the writer of the haiku considered the best of the two sections receives the Jeanette Stace Memorial Prize of $100. All prizes are in New Zealand Dollars.

All winning and commended poems, along with other selected entries, will appear in the New Zealand Poetry Society’s annual anthology in November 2010, to be edited by Barbara Strang of Christchurch. It is not necessary to buy a copy of the anthology in order to have a poem included, as the selections are made blind (i.e. without identifying information).

This year’s judges are:

Vivienne Plumb (Auckland) – Open Verse
Tony Beyer (New Plymouth)– Open Haiku
Lynn Davidson (Nelson) – Junior Verse
Karen Peterson Butterworth (Manawatu) – Junior Haiku

Further enquiries can be directed to: Laurice Gilbert, The Competition Secretary, PO Box 5283, Wellington 6145, competition (at) poetrysociety.org.nz

A Launch Becomes A Farewell: Alistair Te Ariki Campbell, 1925-2009


We set out to launch Voyagers: Science Fiction Poetry from New Zealand on Monday night, and ended up farewelling a great New Zealand poet as well: Alistair Te Ariki Campbell, who died aged 84 on Monday.

Other obituarists have done a good job of describing Alistair Campbell’s life and work. I did know know him personally, though I was lucky to hear him read twice, but his collection Kapiti: Selected Poems, 1947-71 is one of my very favourite books of New Zealand poetry, and remains an inspiration.

Of course, the Voyagers launch was not planned to be a commemoration of Alistair Campbell, but it turned out that our lineup of readers, and our lineup of poems, encompassed many connections with him, so that one series of readings served two ends.


Most of the readers read two poems from Voyagers: one of their own, and one by another Voyagers poet. The full lineup was:

Puri Alvarez: “Saturn’s Rings” + Meg Campbell, “The End of the World”
Marilyn Duckworth: Fleur Adcock, “Last Song”
Chris Else: “Hypnogogia” + James Norcliffe, “the ascent”
Robin Fry: “Lift-off” + Peter Bland, “An Old Man and Science Fiction”
Niel Wright: Ruth Gilbert, “Still Centre”
Tim Jones: “Good Solid Work” + James Dignan, “Great Minds”
Rachel McAlpine: “Satellites” + Harvey McQueen, “Return”
Jane Matheson: “An Alien’s Notes on first seeing a prunus-plum tree” + Simon Williamson, “Japan 2030”
Harvey Molloy: “Nanosphere” + Richard von Sturmer, from “Mill Pond Poems”
Michael O’Leary: “Nuclear Family” + Alistair Te Ariki Campbell, “Looking at Kapiti”
Mark Pirie: “Dan and his Amazing Cat” + Louis Johnson, “Love Among the Daleks”
Vivienne Plumb: “Signs of Activity”
Helen Rickerby: “Tabloid Headlines” + Tracie McBride, “Contact”
Mike Webber: “My Personal Universe” + David Eggleton, “60-Second Warning”

We heard poems by Alistair Campbell himself, by his first and second wives (Fleur Adcock and Meg Campbell), by his sister-in-law (Marilyn Duckworth), and, as Mike Webber revealed, by a descendant of Te Rauparaha, about whom Alistair wrote so often and so memorably. What’s more, Nelson Wattie, Alistair Campbell’s biographer, was also present, and came up after the readings to give a moving account of Alistair and his life.

It was a good feeling to be part of a launch that managed to be both a celebration of a new anthology, and a commemoration of a great poet’s life and work.

Voyagers Sets Sail With A Great Crew

Voyagers: Science Fiction Poetry from New Zealand is making its public debut at the New Zealand Poetry Society monthly meeting in Wellington on Monday 17th August. The meeting, which starts at 7.30pm at Wellington’s historic Thistle Inn, will feature local poets with work in Voyagers reading two poems each: one of their own poems from the anthology, and one other poem from the anthology that they particularly like.

The featured poets will include:

Puri Alvarez
Chris Else
Robin Fry
Tim Jones
Rachel McAlpine
Jane Matheson
Harvey Molloy
Michael O’Leary
Mark Pirie
Vivienne Plumb
Helen Rickerby
Mike Webber

I’m really pleased that so many poets have agreed to come along for Voyagers‘ maiden voyage!

As usual, the Poetry Society meeting will start with an open mike, so it’s a good opportunity to come along, read your own work if you wish, and listen to some fine poets read poems from Voyagers.

There will be copies of Voyagers available for sale at the meeting, but if you’re not going to be there and would like a copy, you can buy Voyagers from Amazon.com as a paperback or Kindle e-book; New Zealand Books Abroad; or Fishpond. You can also find out more about Voyagers, and buy it directly from the publisher, at the Voyagers mini-site.

Good Times, Bad Times

I had a good time at the launch of Before the Sirocco, the 2008 New Zealand Poetry Society anthology, which includes the winning poems (in open and two junior categories) from the NZPS 2008 International Poetry Competition. A packed and appreciative audience at Turnbull House heard poets from all over the country read poems included in the anthology. There was a sizeable Christchurch contingent, and I had the pleasure of meeting Joanna Preston for the first time, and Helen Lowe for what turns out to have been the second time.

Then I went home and had a less good time watching the results of the 2006 [err, make that 2008] New Zealand General Election come rolling across the screen. The outcome was a conclusive win for the right, with a National-ACT-United Future coalition government set to be installed within the next few days. My biggest fear about this is that the modest – very modest – gains which have been made in climate change policy under the previous Labour government will be rolled back, and in particular, that King Coal will be enthroned as the “answer” to New Zealand’s energy needs. It’s going to take a big effort ot prevent that outcome.

To finish on a positive, though, I’m writing this while watching the concluding minutes of a very exciting Fifa Under-17 Women’s World Cup football (soccer) quarterfinal between Japan and England – currently locked at 2:2*. Having watched and enjoyed the semi-final and final of the recent senior Women’s World Cup, I expected to enjoy these games, but they have even better than I expected: full of skill, commitment, excitement and some wonderful goals, and almost completely free of the cynicism, cheating, time-wasting and boorishness that so often mars the men’s game.

New Zealand’s Young Football Ferns were very unlucky not to progress from the group stages of the tournament into the quarterfinals. A lack of polish in front of goal meant that they lost their first two matches 0-1 and 1-2, but in their final game, against South American champions Colombia, they more than made up with it with a 3-1 victory. You can see NZ striker Rosie White’s hat-trick here, uploaded by an enamoured fan.

The game was played in absolutely atrocious conditions: a howling northerly gale and driving rain. Being there and seeing the game live felt like a badge of honour. I’m delighted I went, and now looking forward to seeing how many of the same players perform in the Under-20 Women’s World Cup in Chile in a few weeks’ time.

The semi-finals and final of the Under-17 Women’s World Cup are still to come (semifinals Thursday 13/11 in Christchurch at QEII Park, final and 3rd/4th playoff Sunday 16th in Auckland at North Harbour Stadium). If you get the chance to go along to these games, do take it!

*England won in a penalty shootout – another thing that doesn’t happen in the men’s game!

Before the Sirocco

The New Zealand Poetry Society is launching its annual anthology, this year entitled Before the Sirocco and edited by Joanna Preston, in Wellington at 6pm this coming Saturday, New Zealand election day. Here are the details:

Date: Saturday 6 December

Time: 6pm

Venue: Turnbull House, 11 Bowen Street (near the Bowen St/Lambton Quay corner)

What it’s all about: Take your mind off elections for a couple of hours! Come along to the launch of the New Zealand Poetry Society’s 2008 anthology, Before the Sirocco, and hear poets young and old read their work from the anthology — including winners and runners-up in the Poetry Society’s annual International Poetry Competition.

The buzz: The NZPS anthology launch is one of the few occasions on which poets from around the country get together. If you want to take the temperature of the New Zealand poetry scene, this is the place to be – and you’ll get to hear some great poetry as well.

Plus, you can buy a copy of Before the Sirocco there. Isn’t the cover great?

Ruth Dallas, 1919-2008

Yet another obituary for a fine New Zealand poet. After Bernard Gadd and Hone Tuwhare comes news that Ruth Dallas has died.

In my opinion, Ruth Dallas isn’t as well known, or as well read, a poet as she deserves. She grew up and began writing poetry in Invercargill (for readers from overseas, this is New Zealand’s southernmost city, well away from the country’s main centres of population). She later moved to the university city of Dunedin, where she lived for the most part away from the literary scene. While her work had some powerful supporters, such as Charles Brasch, her poetry (and children’s books) were strongly located in the Southland landscape, and this did not appeal to a number of metropolitan critics.

The empty landscapes of Southland may not be for everyone, but I grew up there, knew and loved the places she was writing about, and found her concise and elegant poetry all the more evocative the further I moved from my Southland roots.

I recommend that you look for her Collected Poems (2000), check out her poem Calm Evenings online, and read her obituary in the Southland Times. In her quiet way, she was a major New Zealand poet, and certainly the pre-eminent Southland poet; and in her quiet way, she will be greatly missed.

A Reading and a Deadline

The news today consists of two items:

First item: I’ll be the guest reader at the next monthly reading session of the New Zealand Poetry Society. That’s taking place on Monday 17 March, from 7.00pm [not 7.30pm as listed earlier – sorry!], in the Paramount Theatre Lounge in Courtenay Place, Wellington. There’s a cafe and a bar to hand, and (judging by February’s session) a nice, relaxed atmosphere. Entry is by koha, which often entails a gold coin donation.

The format is that we start with an open reading session, where you can bring along your own work to read if you wish, then there’s a short break, then I read for a while, then there’s a Q&A session if anyone has any Qs they’d like me to to A. I’ll be reading a mixture of poems from All Blacks’ Kitchen Gardens and newer work. We’ll finish round about 8.30pm. Hope to see you there!

Second item: there’s just under a month to go until the submission deadline for Issue 26 of JAAM Magazine, which I’m editing. You can find all the details at http://timjonesbooks.blogspot.com/2008/01/im-editing-jaam-26.html. Submissions have been coming in, but there’s room for plenty more.