Emergency Weather: A Storm Warning

Tuesday 12 December 2023 dawned a fine summer’s day in Wellington. But in mid-afternoon, the weather changed. A southerly front raced up the country, bringing very strong winds, heavy rain and hail to Wellington and the Hutt. 

I was sitting at my desk, and I felt and saw the change: the temperature dropped abruptly, and sunshine was abruptly replaced by cascading rain. It was all over within 90 minutes, and despite over 20 mm of rain falling at our place within a few minutes, we got off fairly lightly.

But friends I’ve talked to since weren’t so lucky. One was inside a mall that rapidly flooded; another had part of their roof torn off their house – one of a number of buildings in the Hutt that suffered serious damage.

Author Andy Southall captures it well in his Goodreads review of my novel Emergency Weather:

“A day after finishing this book, a sudden and savage storm struck Wellington. At 2.50pm the sun was shining on what seemed to be a pleasant summer day. Ten minutes later the sky turned black, violent winds blew out windows, hail was smashing into the deck and sheets of water poured from the gutters. And that was in a less extreme part of the storm’s path. Elsewhere it was much, much worse.”

and this Radio New Zealand report gives the bigger picture.

My novel Emergency Weather begins and ends with storms – the first causes death and damage from north to south, while the second and stronger storm zeroes in on Wellington. Wellington has always been prone to storms, but climate change is loading the dice, making it more likely that when storms come, they will be damaging and destructive.

Emergency Weather cover at Petone beach

My novel is set against the context of a government in which (some) Ministers are at least trying to do the right thing. But the recent election, which Labour lost by a combination of its own timidity and many voters’ desire for something different, has brought to power a government including climate deniers, environmental vandals, and worshippers at the altar of the car. If climate change is on their agenda at all, it’s well below culture wars.

But physical reality doesn’t care about ideology. So long as we keep loading the climate dice by burning fossil fuels and forcing cows to produce milk, piss nitrates and burp methane, the storms and the fires and the flooding will get worse. If we stop, the climate will have a chance to recover. No amount of denialism changes that.

(Excuse me, Tim! It’s just before Christmas and you’re supposed to be encouraging people to buy your book!)

Err … buy my book if you’re looking for a good summer read – it’s not all, or even mostly, doom and gloom! – and have a great holiday! Here’s to lots of good reading, and good organising for change, in 2024.

Emergency Weather: Successfully Launched, Well Reviewed, and More to Come!

Successfully Launched

Mandy Hager launches Emergency Weather
Mandy Hager launches Emergency Weather. Photo: Stephen Olsen

I was nervous heading into the launch of Emergency Weather. Unity is a great place for a launch, but it looks very empty if no-one comes – and there were other launches, as well as election meetings, on in downtown Wellington at the same time.

I needn’t have worried! Around 100 lovely people came to the launch, we sold plenty of books and I had a great time. It was good to see old friends, new friends, and people I’d never seen before!

Kate from Unity Books introduced the launch, then we heard from Paul from The Cuba Press and Cadence from the Whitireia Publishing programme before the book was launched by author Mandy Hager, whose speech really moved me. Then it was time for me to speak, read the very beginning of the novel, and sign lots of copies! If you missed the launch, the YouTube video is available or you can read Stephen Olsen’s report: https://wellington.scoop.co.nz/?p=155655 (he also took the photo above).

If you didn’t make the launch but would like to get on trend and buy a copy of Emergency Weather, it’s available:

* At Unity Books and Good Books in Wellington, and other independent bookshops nationwide, including UBS in Dunedin – if it’s not available from your nearest independent bookshop or Paper Plus, please ask them to order it in.

* Directly from The Cuba Press: https://thecubapress.nz/shop/emergency-weather/

* From Wheelers: https://www.wheelers.co.nz/books/9781988595726-emergency-weather/

* Through the new NZ BookHub site, launched three days after my book!

Tim Jones signs a copy of Emergency Weather
Tim Jones signs a copy of Emergency Weather (photo: Kate, Unity Books)

Well Reviewed

It’s also been good – and again, a testament to the hard work of The Cuba Press and Whitireia Publishing – to see reviews of Emergency Weather appearing. Online reviews:

Radio New Zealand: https://www.rnz.co.nz/national/programmes/afternoons/audio/2018910488/book-critic-catherine-roberston

Kete: https://www.ketebooks.co.nz/all-book-reviews/emergency-weather-jones

Aotearoa Review of Books: https://www.nzreviewofbooks.com/emergency-weather-by-tim-jones/

You can help a lot by adding the book to your Goodreads library and rating or reviewing it: https://www.goodreads.com/book/show/198972056-emergency-weather

More to Come

It’s not quite the Taylor Swift Eras Tour, but here are some upcoming Wellington events I’m involved in that you’re warmly invited to attend:

Unity Books Panel, Wednesday 18 October, 12.30-1.30pm: “Talking Up a Storm: The Making of Emergency Weather”: https://www.facebook.com/events/288705720676072/ (Facebook event link). Find out how a novel is written, edited, published and marketed.

Verb Wellington event, 11 November, 3-5pm – this one is for Remains to be Told, but I might weave in a mention or two of Emergency Weather as well.

Emergency Weather update and all about anthologies! 

Emergency Weather Update

My new climate fiction novel Emergency Weather is being launched this Wednesday, 4 October! I’d love to see you at the launch – 6pm at Unity Books Wellington: https://www.facebook.com/events/667791528368999

Emergency Weather is already appearing in bookshops. In Wellington, it’s been spotted in Unity (see below) and Good Books. If your local bookshop doesn’t have it, please ask them to order it in. In case they need it, the ISBN is 978-1-98-859572-6.

The book’s also available online from The Cuba Press shop: https://thecubapress.nz/shop/emergency-weather/

Neil Johnstone of Wellington City Libraries interviewed me about EW – see the interview:

and read the blog: https://www.wcl.govt.nz/blog/index.php/2023/09/29/interview-emergency-weather-author-tim-jones/

The Herald’s Canvas magazine published my article about climate fiction and climate reality – it’s firewalled, but also available in the print edition. More coverage to come!

If you read Emergency Weather and like it, please leave a review on Goodreads: https://www.goodreads.com/book/show/198972056-emergency-weather

All About Anthologies

Not really all about anthologies, but about two of them:

The Penguin New Zealand Anthology: 50 stories for 50 years in Aotearoa

I’m very pleased that Penguin Books selected my story “The New Neighbours” from my second short story collection, Transported, to represent 2008 in this anthology, which is on sale from 3 October.

Remains To Be Told: Dark Tales of Aotearoa

This anthology of dark NZ fiction and poetry includes my poem “Guiding Star”. Its New Zealand launch is at Wellington’s Verb Festival on 11 November and I’m looking forward to taking part, with many of the other Wellington-region authors represented. Come along if you can!

Invitation to the launch of my new novel Emergency Weather

You are officially invited to the launch of my new climate fiction novel Emergency Weather – and here’s a look at the cover!

Emergency Weather launch invitation and cover image

The launch will take place on Wednesday 4 October at Unity Books Wellington, 57 Willis St, from 6pm – please encourage your friends to come along too!

Here is the Facebook event: https://www.facebook.com/events/667791528368999

Please sign up for this if you use Facebook, as it helps us know numbers attending.

Emergency Weather will be available from all good bookshops from 2 October – and also through https://thecubapress.nz/shop/

The NZSA Peter & Dianne Beatson Fellowship

A few weeks ago, I heard my application for the 2022 New Zealand Society of Authors Peter & Dianne Beatson Fellowship had been successful – which was a wonderful surprise!

As I told the New Zealand Society of Authors when they announced the news:

“I’m honoured and delighted to receive the NZSA Peter and Dianne Beatson Fellowship for 2022. It’s great that this fellowship recognises the importance of supporting mid-career and senior authors, and I’m honoured to follow in the footsteps of the wonderful authors who have previously received it. I’d also like to thank the judges for selecting my project, and to thank Peter Beatson and The New Zealand Society of Authors Te Puni Kaituhi O Aotearoa (PEN NZ Inc).”

“I’ll be using the funding, and the writing time it allows, to help me work on revisions to my novel in progress, which has the working title ‘Emergency Weather‘. It’s a near-future climate fiction novel that looks at what it’s like for ordinary people to be addressing – or trying to avoid addressing – the climate emergency as the weather gets more extreme, the seas rise, and politicians continue to run round in tight little circles of inaction.”

I’m very grateful to the judging panel for choosing my project. I’ve started on the revisions to my novel – it’s hard work, but I’m enjoying it. I hope to have more good news to report about “Emergency Weather” in 2023.

Novella Review: “A Sky of Wretched Shells,” by Mark Blackham

Cover image of "A Sky of Wretched Shells", a novella by Mark Blackham


Mark Blackham’s A Sky of Wretched Shells is the third book in The Cuba Press’ novella series, following my novella Where We Land and Zirk van den Berg’s I Wish, I Wish. Both Where We Land and A Sky of Wretched Shells are climate fiction novellas, but they’re very different: Where We Land is about our near-future response to climate change, while A Sky of Wretched Shells is set further in the future, when most of the world has fallen victim to ecological disaster and only one island offers hope for survival.

On the island of Woleai, 15-year-old Mala and his people live in relative peace and safety as the rest of the world falls apart. The arrival of two Western outsiders brings an end to this fragile equilibrium.

I won’t say more about the plot, because a lot happens in this novella that it would be a shame to spoil. I will say that there’s some really beautiful descriptive writing and imagery in A Sky of Wretched Shells: I got a strong sense of place from Mark Blackham’s novella.

Nevertheless, I struggled with some of the choices the central character, Mala, made – from my point of view, he persistently makes choices that puts his island and his people at greater risk. (Though my decision-making at age 15 may not have been the greatest, either, and the end of the novel suggests that he has made better choices than it first appears.)

The ending took the story in directions I didn’t expect, reactivating the sense of wonder I used to get as a teenager from reading science fiction, even as my adult eye was casting a more sceptical gaze over proceedings. So I ended the novella with mixed feelings: but given the quality of his descriptive writing and the scope of his imagination, I’m keen to see what stories Mark Blackham writes next.

Year’s Best Aotearoa New Zealand Science Fiction & Fantasy, Volume III

Cover of Year's Best Aotearoa New Zealand Science Fiction & Fantasy Volume III

I’m really pleased that my climate fiction story “The Double-Cab Club”, first published in Stuff’s Forever Project in January 2020, was selected for inclusion in this excellent annual anthology from Paper Road Press, edited by Marie Hodgkinson. Check out the Table of Contents – lots of fine writers and stories included! – and get your print or ebook copy.

Year’s Best Aotearoa New Zealand Science Fiction & Fantasy: Volume 3, edited by Marie Hodgkinson

The third volume in our annual anthology series celebrating the strength and diversity of local SFF writing.

Cover by Rebekah Tisch.

Buy the paperback here, or the ebook at all major ebook retailers.

Table of Contents:

New Zealand Gothic, by Jack Remiel Cottrell
Synaesthete, by Melanie Harding-Shaw
Kōhuia, by T Te Tau
Death confetti, by Zoë Meager
For Want of Human Parts, by Casey Lucas
How To Get A Girlfriend (When You’re A Terrifying Monster), by Marie Cardno
Salt White, Rose Red, by Emily Brill-Holland
Florentina, by Paul Veart
Otto Hahn Speaks to the Dead, by Octavia Cade
The Waterfall, by Renee Liang
The Double-Cab Club, by Tim Jones
Wild Horses, by Anthony Lapwood
You and Me at the End of the World, by Dave Agnew
The Secrets She Eats, by Nikky Lee
How To Build A Unicorn, by AJ Fitzwater
Even the Clearest Water, by Andi C. Buchanan
You Can’t Beat Wellington on a Good Day, by Anna Kirtlan
The Moamancer (A Musomancer short story), by Bing Turkby
They probably play the viola, by Jack Remiel Cottrell
Crater Island, by P.K. Torrens
A Love Note, by Melanie Harding-Shaw
The Turbine at the End of the World, by James Rowland

Year’s Best Aotearoa New Zealand Science Fiction & Fantasy: Volume 3
Edited by Marie Hodgkinson
ISBN 978-1-99-115030-1

Climate Fiction, Climate Fact: My Writers in Schools visit to Nelson-Tasman

Tim Jones running a Writers in Schools workshop at Motueka High School

In early August, shortly before large parts of the country went into COVID lockdown, I visited 5 schools in Nelson-Tasman on a visit organised by the Read NZ Te Pou Muramura Writers in Schools scheme and sponsored by the Rātā Foundation.

Writers in School is a very worthwhile scheme that connects schools who want writers to visit, with writers who are keen to visit! I’ve done some individual school visits under the scheme before – the most recent, a very enjoyable visit to Wellington East Girls’ School to do a Q&A with a class who’d been reading my climate fiction novella Where We Land – but never a tour.

The trip was initiated by Motueka High School, who asked whether I could come to the school for a series of talks and workshops with their students on writing climate fiction and non-fiction. I said I’d like to do that if the trip could be combined with visits to other schools in the region, and thanks to excellent cooperation between Nelson-Tasman schools and ReadNZ, I ended up visiting five schools in three days:

Nelson College
Tapawera Area School
Motueka High School
Waimea College
Waimea Intermediate

I ran workshops and gave talks on writing climate fiction, writing fiction in general, and writing opinion pieces (“columns”), with students ranging from Year 5 to Year 13.

What did I take away? First of all, much as I enjoyed the visit, I was shattered after three days – I have no idea how teachers do it for week after week! Both the students, and the teachers and librarians, I met inspired me.

Talking of teachers, I very much appreciated the lovely hospitality I was offered, which kept me fed and watered throughout my tight schedule. My lunch wth the English teachers at Motueka High School was a particular highlight.

My final session finished the tour on a high note. I had only an hour with this self-selected groups of keen readers and writers in Years 7 and 8 at Waimea College, and my energy was down by the time I got there, but the group’s knowledge of and enthusiasm for writing was remarkable. When we did a brainstorm on “what makes stories work well”, one young student replied “foreshadowing and foretelling”, and when I asked her what those were, she gave a much better explanation than I could have done, with relevant examples!

I loved seeing the enthusiasm of the students, yet I couldn’t help asking myself: what sort of future are these young people facing? More and worse storms. More fires. More floods – all of which have hit the Nelson-Tasman region in the last couple of years. And the sea creeping ever upwards, ever inwards. It isn’t their fault. It isn’t even our fault, unless you happen to be, for example, a senior oil company executive or a coal mine owner. But it’s up to all of us to demand and take action to cut emissions sharply now, because if we don’t, an already dangerous future is bound to become much worse.

Herald of Poseidon: Here’s how I appeared to one student at Motueka High School. (For the record, I am flattered by this portrait!)


Handwriting and hand-drawn image of Tim Jones by a Motueka High School student

Photos and image credits from my day at Motueka High School: https://www.facebook.com/motuekahslibrary




My CoNZealand Climate Change Panels

Panel replays currently available for ConZealand members include these panels I took part in:

Climate Change and Conventions (first panel on this list)

Climate Fiction/Climate Fact (fifth panel on this list)

Check out all the great panels, readings etc that are available on replay!

What’s this all about?

CoNZealand, the 78th World Science Fiction Convention is over! The first to be based in Aotearoa, and the first to be held virtually.

There is so much to say about the convention – for now, I’m just going to congratulate the organisers for all the effort they put in to change a planned in-person convention to a virtual convention at a few months’ notice. There were a whole bunch of teething problems that affected many participants – one of my events vanished into a time-zone ether – but the impressive thing is that some many things worked, or were made to work after people spoke up to get them fixed.

For a few more days, many of the panels, readings and other events are available on replay. My personal highlight of the Con was the Climate Fiction/Climate Fact Panel, but right at the start of the Con, I also took part in the Climate Change and Conventions panel – here’s the presentation I prepared for that panel.

Climate Fiction in New Zealand’s Mainstream Media: Stuff’s “Forever Project”

The Double-Cab Club, by Tim Jones (Forever Project, March 2020)

Resilience, by Octavia Cade (Forever Project, June 2020)

In March, New Zealand’s largest news outlet, Stuff, launched its Forever Project, which editor Eloise Gibson describes as “our way of saying we’re committed to clear-eyed, insistent coverage of the epoch-defining challenges of climate change and sustainability.”

The Forever Project represents a major change in the way Stuff has decided to cover climate change. Until a couple of years ago, Stuff was giving plenty of space to climate deniers and climate trolls: now, they’ve stopped doing that, and are writing many more in-depth stories on climate change and the promise and pitfalls of various approaches to addressing it. Their coverage isn’t perfect, but it’s a huge improvement.

The Forever Project has a print as well as an online component. Two copies of the Forever Project magazine have been distributed to Stuff subscribers so far, and each has included a climate fiction story – which is also available online.

I was delighted to be asked to write the story that appeared in the March 2020 edition of the Forever Project – a story set in 2030, as Aotearoa struggles to deal with both the causes and the effects of climate change – and also that Dr Octavia Cade was commissioned to write the story that appeared in the second issue.

Here’s how you can subscribe to the Forever Project newsletter.

As a bonus, the illustration for my story was created by the wonderful illustrator Ruby Jones – it was a pleasure to work with her.