Rock (and funk, and disco, and metal, and punk, and blues)
I started listening to rock music in the early 1970s, and the sorts of music I like mostly date from that era: progressive rock, heavy metal, punk and new wave, funk, disco. For a long time I was like a dinosaur trapped in amber (actually, make that a mosquito trapped in amber which has sucked the DNA of a dinosaur trapped in the La Brea tar pits), listening to old and new albums by the same groups I used to listen to in the 1970s.
Then along came YouTube, letting me get a little taste of new bands that sound intriguing. Now I roam across the landscape of new music like a dinosaur that avoided the La Brea tar pits and passed through a temporal rift into 2010 – oh, all right, 1974 then. But at least I listen to some new music sometimes.
Here’s a selection of current favourites:
Arcade Fire, Sprawl II (Mountains Beyond Mountains) (2010). For me, the best song on The Suburbs.
Ana Popovic, Blues for M (2010). A live performance of the final track from her 2009 album Blind for Love. There’s 50 secs of Ana talking to the crowd before the song starts, but if you like blues guitar, it’s worth waiting for.
Joan Jett, A.C.D.C. (2006). Her cover of the old Sweet song.
Opeth, The Drapery Falls (2001). Gorgeous progressive metal – and cookie monster vocals never sounded so good.
A Taste of Honey, Boogie Oogie Oogie (1978). Forget the silly song title and, as the song itself suggests, listen to the bass now.
Boston, Don’t Look Back (1978). You can make a whole career out of songs that sound a lot like “More Than A Feeling” so long as they are all as good as this.
David Bowie, Stay. A 2000 performance of Bowie’s funky excursion from 1976’s Station to Station – and the same song from the Dinah Shore Show in 1976. Check out Bowie’s crazy legs in the 1976 version, and Earl Slick on guitar.
I got a CD of Prokofiev’s Symphony No. 5 and Symphony No. 1 for Christmas (thanks, Dad!). I was especially pleased to get Symphony No. 1, Prokofiev’s “Classical” Symphony, on CD: a charming 14-minute Haydnesque pastiche. Here is the lovely 4th movement.
Beethoven’s Triple Concerto has been one of my favourite pieces of classical music from the time I first heard it. I have a version with David Oistrakh on violin, Mstislav Rostropovich on cello and Sviatoslav Richter on piano, and the Berlin Philharmonic conducted by Herbert von Karajan: heavy hitters indeed! Here are the same three soloists playing the opening of the first movement in Moscow in 1970.
The New Zealand Symphony Orchestra recorded all three of Douglas Lilburn’s symphonies, and I have them on one CD. Here is the NZSO playing Lilburn’s single-movement Symphony No. 3.