I’m Editing JAAM 26

I’m editing Issue 26 of JAAM Magazine. The deadline for submissions is 31 March 2008.

JAAM (Just Another Art Movement) is a literary journal run by an independent publishing collective in Wellington, New Zealand.

JAAM publishes emerging writers alongside the work of established writers. It focuses on New Zealand writers, but overseas writers are also welcome to submit.

JAAM prints fiction, poetry, essays and black and white artworks. Payment is NZ$20 per contributor (rather than per contribution) for accepted work, plus a free copy of the magazine. There is no official word limit, but fiction and essays longer than 4000 words will have to be exceptional to be published.

JAAM publishes literary fiction and poetry. For JAAM 26, writing in other genres, such as speculative fiction and poetry (science fiction, fantasy and horror) will be considered on an equal footing to literary fiction and poetry. There is no set theme for this issue.

Submissions for JAAM 26 can be emailed to jaammagazine@yahoo.co.nz or posted to:

PO Box 25239
Panama Street
Wellington 6146
New Zealand

Make sure you enclose a stamped self-addressed envelope for reply.

Subscriptions within New Zealand are $24 for three issues (includes postage). Cheques can be sent to the address above.

For more information, see JAAM’s MySpace page.

Hone Tuwhare, 1922-2008

Hone Tuwhare died on 16 January in Dunedin. He was writing up to the day he died. He was a great New Zealand poet, spendidly independent of poetic schools, sects, factions, cabals and fashions. His inimitable voice will be sadly missed.

I didn’t intend this blog to be a memento mori, but with the passing of Bernard Gadd, Meg Campbell, and now Hone Tuwhare, such it is turning out to be.

Bernard Gadd

Bernard Gadd died earlier in December. I’m late posting this news, and there are excellent memorials to Bernard on Harvey Molloy’s blog and on Helen Rickerby’s blog.

I never met Bernard, but read and enjoyed a number of his poems, was impressed by his steadfast commitment to a multicultural Aotearoa/New Zealand, and owe him a debt of gratitude for selecting stories of mine for two anthologies he edited: “Statesman” in a Longman Paul anthology for schools, I Have Seen the Future, and subsequently “My Friend the Volcano”, in the first volume of the Other Voicesseries produced by his publishing house, Hallard Press. These were the first two stories I had published professionally.

He and Trevor Reeves were among the first New Zealand publishers and anthologists to see that speculative fiction – science fiction, fantasy and horror – was part of the New Zealand literary scene, rather than being separate from it, and to include it in literary journals and anthologies.

Thank you, Bernard.