Tuesday Poem: That’s Far Enough

 
That’s Far Enough
Unexplained force acts to slow Pioneer and other deep-space probes [news]

Like rotifers in a puddle
staring at the sky
we can look but not touch

It’s gentle at first
that force
but insistent

stay within the solar system
and no harm will come to you
you will be allowed the illusion of freedom

but stray too far
and we will have to take steps

nothing unpleasant, you understand
but the subtle application of a force
additional to gravity

gentle at first
but insistent
that force

till you slow,
stop, and return
to whence you came

bearing news:
the Universe is not for you
some things are sacred.

Tim says: As I’ve recently posted the guidelines for an online magazine issue featuring New Zealand and Australian speculative poetry (a term covering science fiction, fantasy and horror poetry, among others) that I’m editing, I though I’d post one of my own science fiction poems – well, a science poem, anyway. This one is from my first poetry collection, Boat People.

At the time “That’s Far Enough” was written, the trajectories of the Pioneer 10 and 11 spacecraft leaving the solar system and heading into interstellar space appeared to show that they were being acted on by a forced additional to gravity, which was gradually slowing them down. However, recent research may have accounted for the “Pioneer Anomaly”.

You can read all the Tuesday Poems on the Tuesday Poem blog – the featured poem is on the centre of the page, and the week’s other poems are linked from the right-hand column.

Book Review: Galileo’s Dream, by Kim Stanley Robinson

Kim Stanley Robinson is well known for his fictions about the near future in the face of climate change (the “Science in the Capital” series that begins with Forty Signs of Rain; Antarctica), and even better known for his Mars trilogy – Red Mars, Green Mars, Blue Mars – which looks in dazzling detail at the near-future colonisation, terraforming, and coming to independence of the fourth planet from the sun.

But Kim Stanley Robinson has also had a long-standing interest in history and alternate history. That has shown out in several fine short stories, and in his novel The Years of Rice and Salt, an alternate history in which medieval Christian Europe is wiped out by the plague, and Islam and Buddhism compete for dominance of the emptied land.

Kim Stanley Robinson’s latest novel, Galileo’s Dream, is a curious hybrid of historical novel and near-future exploration of the solar system.

In the main, it is a biographical novel about Galileo Galilei, covering the period from his middle years to his death, and focusing on his crucial discoveries and on the causes and consequences of his famous trial for heresy. But, through what might best be described as “the magic of quantum”, the Galileo of this novel also jumps over 1000 years into our future, becoming embroiled in the politics of the inhabited Galilean moons.

That’s an interesting story. Galileo’s life is also an interesting story. But I’m not sure the two cohere. The machinations and rivalries of the Europans and the Ganymedeans, and the major discovery on which their part of the novel turns, are very interesting – and reminiscent as much of Arthur C. Clarke as of what we’ve come to expect from Kim Stanley Robinson – but are left frustratingly unresolved. And, although events in the future story parallel events in the biographical part of the novel, they aren’t allowed to do so to the extent that the narrative of Galileo’s life depart from known biographical fact – which makes me question the point of including the future story in the first place.

But this review is turning out to be more negative than is warranted, or than I intended. I may have my doubts about the way these two stories are interleaved, but both are very interesting, and Galileo’s Dream, like every Kim Stanley Robinson book I have read, features memorable characters acting boldly on the issues of their time, while engaging in fascinating speculations on science, sexism and society.

Yet what really stands out in Galileo’s Dream is its depiction of ageing. Galileo fears, and then undergoes, the loss of his powers and faculties. His failing body, and the fate of his children, torment him. He has renown, but loses the capacity to enjoy its fruits. More than science, speculation or intrigue, it is this portrayal of the impact of age and infirmity on a vigorous creative life that stayed with me when I finished Galileo’s Dream.

Astropoetica: Mapping The Stars Through Poetry

In 2003, I came across a call for submissions for a new webzine, Astropoetica. Its mission statement was “Mapping The Stars Through Poetry”, and editor Emily Gaskin had the excellent idea of launching it with a Constellations Issue: at least one poem for each of the 88 constellations recognised by the International Astronomical Union.

“That sounds like a good idea,” I thought, and set about finding some Southern Hemisphere constellations that would by the overly-prosaic Abbe Nicolas-Louis de Lacaille – you can see the poems at the bottom of this post. Octans is the constellation which contains the South Celestial Pole.

Later, I had poems in a couple more issues, including two in the Solar System Issue – these two form part of the Mars sequence in All Blacks’ Kitchen Gardens. But, not having written any suitable poems for a while, I was especially pleased that my poem Losing Weight was included in the latest issue.

I’m not the only New Zealand poet to be included in Astropoetica: Mary Cresswell has been published there several times, and Su Lynn Cheah had two poems, including a particular favourite of mine, Insects, in the Constellation Issue.

It isn’t easy to keep a small-press magazine appearing so consistently, especially when you’re paying the contributors. Emily Gaskin has done both poetry and astronomy a great service with Astropoetica, and if you are interested in either, I recommend it.

Three Constellation Poems

Antlia, the Air Pump

The good Abbé
had a telescope, and time
and a cloth ear
when it came to names

Abbé Nicolas-Louis de Lacaille
You’d think a name like that
would awaken a sense of rhythm
in the most prosaic of men

a sense that would guide his choices
as he looked up
from the Cape of Good Hope
at a southern sky crying out for names

But no. He wished to honour
Robert Boyle, great father of the Air Pump
Antlia Pneumatica and Machine Pneumatique
that’s the name he lumped me with

Dogs, bulls, and virgins
wrapped in their antiquity
chased me from the north
with their mortifying laughter

Later someone had mercy
shortened me to Antlia
People now think
I’m named after ants or antlers

Squint and you can see me
crawling through the southern sky
keeping my head down
as air leaks from my broken heart

Horologium, the Clock

Clock, clock
Tick tock
In the southern sky
Counting down the lonely years
All are born to die

Clock, clock
Tick tock
Entropy remains
As your stars drift out of reach
Leaving only names

Octans
, the Octant

I was there when the Yamana
sailed south from Cape Horn
in their flimsy bark canoes
and found a world of ice

I was there when the Maori
dared the Southern Ocean
in twin totara logs
sailing from Te Waipounamu

There for Ross and de Gerlache
Bellingshausen and Borchgrevink

Nothing much to look at
Not shining like Polaris
But when they came to the South Pole
I was there

When Roald Amundsen
planted the flag of Norway
at his best guess at the Pole —
I was there

When Robert Falcon Scott
lay down for death to claim him
Somewhere high above the blizzard
I was there

There for Mawson and Shackleton
for Hillary and Byrd

Nothing much to look at
Not shining like Polaris
But when they came to the South Pole
I was there

Above the chattering of tourists
and the scientists’ endeavours
Above the melting and the greening
I’ll be there

When the sea level rises
and the ice turns into water
Or when a new ice age beckons
I’ll be there

There for artist and astronomer
Protester and prospector

Nothing much to look at
Not shining like Polaris
But when they come to the South Pole
I’ll be there

Antlia was included in All Blacks’ Kitchen Gardens. Horologium and Octans have not been collected in book form.