New Zealand Science Fiction and Fantasy Authors

My fantasy novel Anarya’s Secret, set in the universe of the Earthdawn roleplaying game, was on the ballot for Best Adult Novel at the 2008 Sir Julius Vogel Awards, New Zealand’s local equivalent of the Hugo Awards. The award was won by Russell Kirkpatrick’s novel Path of Revenge, and I was impressed by the quality and range of the novels and other works up for awards, and the number of them that had found international publication.

The Science Fiction and Fantasy Association of New Zealand (SFFANZ) has provided a measure of this upsurge in New Zealand science fiction and fantasy by listing books in the field by New Zealand authors. The listing was based on one created by Jack Ross, subsequently updated by Alan Robson.

Although the listing (split into A-L and M-Z) is short on bibliographic detail in places, it does show that a lot more New Zealanders have successfully written science fiction and fantasy than is commonly assumed by those outside – or inside – the field.

There’s more to come, too – for instance Helen Lowe’s forthcoming YA fantasy novel Thornspell, about to be published in the US, and her subsequent fantasy tetralogy for adults, Wall of Night. Although it has flown mostly under the radar so far, New Zealand science fiction and fantasy is becoming hard to ignore.

UPDATE: There’s more about Helen and her new book on the HarperCollins (Eos) blog.

Scriptwriters Wanted

From the NZ Society of Authors (NZSA) weekly email newsletter* comes this snippet, which I’ll post here as I know I have some scriptwriters among my readers:

Writers Wanted for Two Animated TV Series

“Currently in development are two concepts for separate animated TV series
primarily targeting boys aged 8-12. Script writers are being sought. The
first is a fantasy series based in colonial NZ; the second is a sci-fi
series. Expressions of interest emailed to nika (at) huntdigitalmedia.com”

I have no connections with these projects, so I can’t vouch for their chances of success – but if you’re interested, go to it!

*This newsletter, emailed each week to NZSA members, is a very valuable source of market information: I have made several sales, especially of poetry, to magazines or anthologies I first saw advertised there. Membership of the NZSA isn’t cheap, but it can [so I believe] be claimed as an expense against taxable income, and it’s definitely worth considering if you’re a New Zealand writer.

Sir Julius Vogel Award goes to “Path of Revenge”

My novel Anarya’s Secret didn’t win the Best Adult Novel category in the 2008 Sir Julius Vogel Awards. In a strong field, the winner was Russell Kirkpatrick’s Path of Revenge.

It would have been nice to win, but I was most impressed by the quality of the field, not just in the Best Adult Novel category but throughout the categories. It’s a very good sign that New Zealand speculative fiction writers are being so widely published.

The Awards were presented at Conjunction, the 2008 New Zealand National Science Fiction Convention, which was held at Easter in Wellington. I attended the Saturday of Conjunction as well as the awards ceremony on the Sunday evening. It was my first New Zealand SF convention for a while, and I was impressed with what I saw: attendance seemed to be good, and on the Saturday, I attended a particularly interesting panel on science fiction and fantasy appropriate for different age groups – or, in other words, what books are suitable at what ages to introduce children to science fiction and fantasy. “What can they read after Harry Potter” was one of the topics discussed.

I’ve now been nominated for a Sir Julius Vogel Award three times: I’ve been a runner-up twice, and on the other occasion, my book (in that case, my first short story collection, Extreme Weather Events) was the only book nominated in its category, and thus ineligible for an award. I guess I’ll just have to keep writing science fiction and fantasy until I win one – which might, of course, set me up for a very long career.

How It Came to Pass: Anarya’s Secret

Anarya’s Secret began with an email message in late 2005. It was from Richard Vowles of RedBrick Limited. He explained that RedBrick had recently taken over the rights to the “classic” version of fantasy roleplaying game Earthdawn from its American parent company, and were looking for someone to write a novel set in that universe. They had found my website, and thought I might be their man. Would I be interested?

At first I wasn’t sure. It had been many years since I had done any gaming. (I was very fond of Runequest – the first edition, set in Glorantha – and had played a little D&D as well.) I had never played Earthdawn, and was worried that this would lead to me inadvertently breaking the rules of the world. What’s more, novels set in gaming universes didn’t have a universally high reputation.

On the other hand, I’d greatly enjoyed many of the Shadowrun novels produced by FASA, especially those written by Nigel D. Findley, and my interest was piqued when I found out that Earthdawn is set in the same universe as Shadowrun, except that Shadowrun takes place in the future and Earthdawn in the remote past.

And just as I wasn’t yet sure that this was a project I wanted to take on, so RedBrick had to be sure that I could do a good job of an Earthdawn novel. So we agreed that I’d write and send in the first few chapters, and we’d see how both parties felt after that.

By the time I’d written the Prologue and Chapters 1 and 2, I was hooked. I had a protagonist, a naive but well-meaning young man called Kendik Dezelek. I had got him in over his head with some dubious new associates, the Turgut brothers. I had taken them to the mouth of an ancient, long-abandoned stronghold. And someone had emerged from the stronghold to meet them – someone with a secret.

Earthdawn is set in a world in which, though magic, the human race has split into many branches – some familiar from mythology (orks, trolls, dwarves), others not. Perhaps the most alien are the lizard-like t’skrang, and I decided that they would play a crucial role in the story. With that decision, the general outline of the rest of the novel fell into place.

So I sent in my few chapters and waited to see what RedBrick would say. They said yes, and I was away. Kendik Dezelek, Anarya Chezarin – the woman with a secret – and the Turgut brothers left the mouth of the ancient stronghold, Kaer Volost, and went on their way. Adventure, as they say, lay in wait. So did guards, wizards, petty tyrants, and t’skrang with a whole slew of hidden agendas. And if you play Earthdawn, you’ll have some idea what I mean when I say that the Scourge has never quite ended.

I broke the odd rule in my early drafts, but Carsten Damm, my excellent editor, was there to point out my transgressions and suggest creative solutions. With his help, I had a lot of fun writing Anarya’s Secret. I hope you’ll find it a lot of fun (and a lot of shock, surprise and excitement) to read.

Anarya’s Secret is available in hardback, paperback, and e-book formats.

Book Review: Gene Wolfe, Soldier of Sidon (Tor Books, 2007)

Gene Wolfe’s Soldier of Sidon (2007), third book in a series that began with Soldier of the Mist (1986) and Soldier of Arete (1989), continues Wolfe’s saga of Latro, the Roman mercenary in the 5th century BC whose head wound means that he cannot recall his name or his past adventures from day to day. In compensation, he can see and talk with the many gods of the ancient world. Tony Keen’s thoughtful review of the novel at Strange Horizons gives the detail I will not go into here. I want to make two points:

First, Wolfe’s predominant narrative technique, in which all the necessary detail is revealed, but in such a way that you don’t realise its significance at the time it’s revealed, and have to pay close attention to be able to realise its significance in retrospect, is perfectly suited to the tale of a man who comes to each situation, character and crisis as fresh as the reader.

Second, that much as I admire Wolfe as a storyteller and stylist, Soldier of Sidon continues a feature of Wolfe’s work that I find less admirable: he writes about societies in which females are subject, and sometime violently subject, to males. He writes about these societies outstandingly well, and his female characters are distinct, engaging, and within the limits of their subjugation, strong; but I’d love to know whether Gene Wolfe could carry off a novel in which women didn’t start at a pronounced disadvantage.

Anarya’s Secret Published

My fantasy novel Anarya’s Secret: An Earthdawn Novel was published yesterday. I’ll put up more information about it soon, but in the meantime, you can see more details about the book on the Earthdawn site. It’s available in e-book, paperback, and hardback formats.

You can now read the novel’s Prologue online.

In late 2005, shortly after New Zealand company RedBrick took over the Earthdawn licence from its American originators, they approached me to write a novel set in the Earthdawn universe. And that’s what I set out to do. My hope is that Anarya’s Secret will work equally well as a novel for those who play the game, and for those who’ve never heard of it before. You don’t need to have played Earthdawn to enjoy this book.