Dracula’s Out And About – Auckland and Wellington Readings

Dracula in the Colonies is heading north, and I’m coming along as minder and general Renfield. Then he’s returning home for a reading on Sunday 15 February in Wellington.

Auckland, 10 and 12 February

I’m off to the big city to read at Poetry Live and take part in the Aotea Square Poetry Takeover!

Tuesday 10 February: Poetry Live, Cafe 39, 39 Ponsonby Road, 7.30-10pm

I’m the guest reader at Poetry Live, Auckland’s long-running live poetry event.

What: Poetry Live, Auckland
Where: Cafe 39, 39 Ponsonby Road
When: Tuesday 10 February, 7.30-10pm
With: Open mike + guest musician Cold Champagne

Facebook event: https://www.facebook.com/events/1822227305127271

Poster for Poetry Live Auckland on 10 February, showing pictures of guest poet Tim Jones and guest musician Cold Champagne against a red background, with yellow text giving details of the event also contained in the text of the post.

Thursday 12 February: Aotea Square Poetry Takeover, Aotea Square, 5–8pm

Poetry is coming for Aotea Square! On Thursday 12 Feb, the Aotea Square Poetry Takeover is happening, with performances and stalls, and I’ll be there as part of the contingent from The Cuba Press. Come and find The Cuba Press stall – I’ll be on duty with poets Bryan Walpert and Elena de Roo. There are lots of poets and plenty going on in the Square for these three hours!

Poster for Aotea Square Poetry Takeover, 12 February, 5-8pm. Poster shows a poet standing at a lectern.

Wellington, 15 February

I’m reading poems from my new collection “Dracula in the Colonies” at the Office Bar, 124 Riddiford St, Newtown on Sunday 15 February – you’re very welcome to come along, and entry is free.

This is part of the Poetry and Music at Newtown’s Office Bar series. The event starts at 4pm with an Open Mike (make sure you arrive on time if you want to sign up to read), then there’s a break for food & drink from the bar downstairs, then I’ll be reading around 5.30. See you there!

Poster for Poetry and Music at Newtown's Office Bar on Sunday 15 February 2026. Poster shows an author photo and details of the event described in the text.

The March mini-tour: Invercargill, Dunedin, and Christchurch

In March, I’ll be doing three poetry readings in three days! I’ll post full details in a couple of weeks’ time, including news about all the readers at the Ōtepoti and Ōtautahi events, but here is the summary:

Waihōpai / Invercargill: “Southland roots, southern journeys”: Tuesday 10 March, 5-7pm, Whare Taupua, 34 Forth St. Reading + Q&A

Facebook event: https://www.facebook.com/events/1415486880117301/

Ōtepoti / Dunedin: Wednesday 11 March, Octagon Poets’ Collective, 7pm – guest reader

Ōtautahi / Christchurch: Tuesday 12 March, Canterbury Poets Collective, Ara Imagitech Theatre, 130 Madras Street, Christchurch, from 6.30pm – guest reader

Dracula’s Been Busy

Picture of Dracula, dressed in black against a dark background

Why so gloomy, Drac? Let the sunshine in!

Dracula in the Colonies, my new poetry collection, has been stepping out into the spring light with pleasingly positive results and surprisingly few scorch marks:

As a bonus, my climate fiction, and climate fiction in general, has had a lovely boost from Claire Mabey in The Spinoff. It’s been a good way to finish the year.

Cover of Tim Jones' poetry collection "Dracula in the Colonies", showing a stylised map of Aotearoa on a yellow background with the title and author name in red

Three Ways To Make Dracula Count

If you’d like to help Dracula in the Colonies meet more readers, here are three things you can do:

  • Ask for it in bookshops: If your local bookshop doesn’t stock Dracula in the Colonies, please ask them to! All the details they’ll need are on The Cuba Press order page for the book.
  • Ask your local library to order it: Many libraries have pages where you can ask for books to be added to the collection. If your local library doesn’t stock the book, please request it.
  • Goodreads: If you use Goodreads and have read Dracula in the Colonies, please add a rating, or even better a review, to the book’s Goodreads page.

Dracula Makes His Debut

It was a dark and stormy night – no, really, it was! – when my new poetry collection Dracula in the Colonies, together with Mandy Hager’s new “Chasing Ghosts” mystery Revenge and Rabbit Holes, were launched at Unity Books Wellington earlier this month.

Photo of Tim Jones speaking at the launch of his new poetry collection "Dracula in the Colonies" at Unity Books Wellington on 1 October 2025. Author is speaking at a microphone with a desk to his left and bookshelves behind him.
Photo credit: James Fraser

Happily, that didn’t prevent a good crowd gathering to attend the launch, enjoy the lovely food put on by Unity Books, listen to the speeches, and buy some books.

Colin Marshall of the Whitireia Publishing Programme, who helped to put together the launch, also doubled as videographer – here are his videos of publisher Mary McCallum, my “launcher”, poet Harvey Molloy who said some lovely things about my work and my writing career, and myself speaking at the launch.

Mary McCallum from The Cuba Press gets the book launch underway:

Harvey Molloy’s launch speech for Tim Jones’ new poetry collection “Dracula in the Colonies”:

Tim Jones speaks at the launch of his new poetry collection “Dracula in the Colonies”:

Since then, I’ve had a nice My Wellington profile in The Post, although you may find it firewalled. Watch out for more interviews and events to come!

You can buy Dracula in the Colonies from Unity Books Wellington, other independent bookstores, and direct from the publisher.

Next, I’m looking forward to reading Mandy’s book! Here’s my review of the first in the series.

My new poetry collection “Dracula in the Colonies” is launching in Wellington on Wednesday 1 October!

My new poetry collection Dracula in the Colonies is launching at Unity Books Wellington on Wednesday 1 October from 6-7.30pm. It’s a double book launch: my  Dracula in the Colonies and Mandy Hager’s new novel Revenge and Rabbit Holes.

Image version of the launch details included in this post, showing the covers of Dracula in the Colonies and Revenge and Rabbit Holes

All are welcome – no need to RSVP. And if you invite your friend, friends, partner, partners, or large and lavishly remunerated workplace* along, even better!

*Possibly fictional.

Dracula in the Colonies has received a couple of very nice endorsements from poets whose work I admire:

Janis Freegard: “Tim Jones’ powerful new collection takes us from Grimsby to Antarctica, traversing family life, migration, politics, climate change and loss. This is honest, tender, funny and intelligent writing from a story-teller poet.”

Erik Kennedy: “Eminently readable but never comfortable … Dracula in the Colonies is full of characters you’ll love to hate from a poet whose work we know to love.”

Thank you, Erik and Janis!

All the details

The launch will be at Unity Books, 57 Willis St, Wellington, from 6-7.30pm on Wednesday 1 October 2025. There will be drinks, nibbles, and books for sale and signing.

The Facebook event is here: https://www.facebook.com/events/1159319136008748/

My thanks to everyone who has already said they plan to attend, and those who’ve let me know they can’t make it.

I can’t make it, but I’d love a copy of the book:

The Cuba Press has you covered! You can pre-order Dracula in the Colonies here: https://thecubapress.nz/shop/dracula-in-the-colonies/

You’re invited to a double book launch on Wednesday 1 October: Dracula in the Colonies by Tim Jones and Revenge and Rabbit Holes by Mandy Hager

image.png

You and your friends are warmly invited to a double book launch at Unity Books on Wednesday 1 October: my new poetry collection Dracula in the Colonies and Mandy Hager’s new novel Revenge and Rabbit Holes.

All are welcome – no need to RSVP!

The launch will be at Unity Books, 57 Willis St, Wellington, from 6-7.30pm on Wednesday 1 October 2025. There will be drinks, nibbles, and books for sale and signing.

The Facebook event is here: https://www.facebook.com/events/1159319136008748/

My thanks to everyone who has already said they plan to attend, and those who’ve let me know they can’t make it.

If you can’t make it, please pre-order Dracula in the Colonies here: https://thecubapress.nz/shop/dracula-in-the-colonies/

Book review: Halfway to Everywhere, by Vivienne Ullrich

Cover of poetry collection "Halfway to Everywhere", by Vivienne Ullrich

Halfway to Everywhere, by Vivienne Ullrich (The Cuba Press, 2024), 70 pp. Available from https://thecubapress.nz/shop/halfway-to-everywhere/

Halfway to Everywhere is Vivienne Ullrich’s second poetry collection, and I’m impressed. The poems in Halfway to Everywhere show a lot of formal ability as a poet, and as the collection goes on, that formal elegance was increasingly matched with subject matter that engaged me emotionally.

Many of these poems take as their subject matter art, historical figures and fairy tales. Mary Queen of Scots, Little Red Riding Hood, Scheherazade, Jack of “Jack and the Beanstalk” fame and the artist Max Gimblett all put in an appearance, as the poet invites us to see the world from their points of view.

“Mary Queen of Scots” (p. 24) is a good example of these poems. It begins:

I die tomorrow. It is a simple thing
and yet it clamps my belly.
I pray for a clean stroke
and dignity.

From “Rutu” (p. 18), a poem inspired by Rita Angus’ painting of the same name:

… how is it we gift
this month with myths of rebirth, when an eye
towards our cross of stars would signal time
for harvest, time for tuning in to self.

I was very impressed by the quality of both the poetry, and the thought that had gone into the poetry, in Halfway to Everywhere. I did find that – perhaps because of the number of poems about artworks and historical figures – it took about half the collection before I started to engage with the poems emotionally – in other words, to connect with them as well as be impressed by them. But as I continued reading, I found poems that spoke to me more directly, like “Footprint” (p. 62):

I hear you. No doubt
it is different in my skin.
I am my peculiar set of molecules
after all, and I have the benefit of
context and the words I left out.

This skill in addressing multiply points of view comes to fruition on my favourite poem in the collection, “Little Red Riding Hood” (p. 48), a retelling in which the dramatis personae all get a turn as protagonist: the wolf, the huntsman, the grandmother, and the girl herself. This poem combines formal ability and sly wit in a way that works extremely well. An excerpt won’t do it justice – check out the whole poem!

Vivienne Ullrich is a talented, clever, thoughtful poet, and as I read through this collection, I found her poems and her poetry sneaking up on me. Halfway to Everywhere is a good place to be.

There is no mercy in insurance

News that Tower Insurance and other insurance companies are considering refusing to insure houses in flood-prone areas reminded me of “Written Off”, a poem from my 2016 collection New Sea Land.

The set of climate change consequences outlined in this poem were not difficult to come up with. Perhaps, if our “leaders” had spent more time thinking about consequences and less time bowing and scraping to vested interests, we wouldn’t be in quite such a deep hole seven years after this poem was first published.

Written Off

They had insured

and re-insured,

still it was not enough.

They hunched over maps,

consulted climate science.

Beachfront property

went with the stroke of a pen:

no possible premium

could insure that level of risk.

And floodplains:

why do people choose to build on them?

Bigger floods, more often: gone.

East coast farmers, eyeball-deep

in debt, haunted by drought,

desperate to irrigate:

you backed the wrong horse.

Low-lying suburbs, factories

built next to streams:

there is no mercy

in insurance. The numbers speak,

and then there is no mercy.

Tuesday Poem: Men Briefly Explained – the title poem of my new poetry collection

 
Men Briefly Explained

My friend and I are talking to
the most attractive woman in the room.

My friend and I are talking at
the most attractive woman in the room.

We’re talking big: theories, hypotheses,
each wilder than the rest.

How huge our brains must be!
How fit our genes, to allow

such brilliant and superfluous display!
The most attractive woman in the room

smiles at us each in turn.
She is clearly impressed, and her sisters

are smiling too. We are gibbons
swinging through the trees. Chimps

waving sticks and bones. Gorillas
in the mountain forests,

beating hairy chests
as the poacher Time takes aim.

Tim says: “Men Briefly Explained”, which is previously unpublished, is the title poem of my third poetry collection, which will be published by Interactive Press of Brisbane in late 2011. Interactive Press also published Voyagers, the anthology which I co-edited with Mark Pirie, in 2009.

Naturally, I’m very excited that this collection is going to be published – and also very pleased that, all being well, I’ll be doing some joint launch events with Lower Hutt poet Keith Westwater, whose debut collection Tongues of Ash won Best First Book in the 2011 IP Picks Awards.

You can see all the Tuesday Poems on the Tuesday Poem blog (the hub poem in the middle, and all the other poems on the right-hand side).

New Order: Sections, Statistics And Sequencing A Collection

There are good things and bad things about being an author who works in more than one format. On the downside, it takes longer to get any individual project finished. But on the upside, when I’m feeling blocked on one piece of writing, I can always work on another.

This past week, having temporarily worn myself out on my novel revisions, I’ve been doing some more work on the poetry collection I’m putting together, which I’m calling Men Briefly Explained.

The sticking point, which it’s taken me quite a while to resolve, is what order to put the poems in, and how (if at all) to divide them into sections. There may well be well-organised people out there who work out the order of their poetry collections, or short story collections, before they sit down to write a word – and I’d be interested to hear if you’re one of them – but for me, the idea for a collection emerges from looking at what poetry I’ve been writing and what I think I’d like to focus on writing next.

I’m looking for two, partially contradictory, things when sequencing a poetry collection: a flow from one poem to the next, and some division points which allow poems with similarities to be grouped together. If possible, I like the overall shape of the collection to have some kind of arc, to suggest a narrative.

My original idea was to divide the manuscript into four sections (and, off the record and on a strictly “need to know” basis, these were I: Men In The Wild; II: Men in Love; III: Men Under Construction; IV: Men Overboard). But the more I looked at this division, the more unsatisfied I felt. Where was the flow, where was the arc?

So, after a lot of hemming and hawing over the section titles, I decided to start from scratch and re-sequence the whole thing, on the entirely unscientific basis of which poems felt like they belonged early, middle, and late in the collection. Within these, divisions emerged, rather like the points of a compass rose, so that poems acquired designations such as “early middle” and the even more problematic “early late”. Then, put them all together, et voilà! A reordered poetry collection.

Now the love poems are up the front, followed by the “growing up” poems. The wild men, and indeed a number of the tame men, cluster around the middle of the collection, while the late period charts the long decline towards senescence, with occasional excursions to Haast. (I may still move the excursions to Haast.)

There’s still plenty of work to do. Some of the poems, especially those previously published in literary magazines, are finished – I think; some are fairly stable, but still need some tidying up; while others are rough drafts with encouraging little notes to myself like “more stanazas here!” This instruction should probably be removed from the final version.

When it comes to the age of the poems, there’s a bimodal distribution – almost half of them are three or more years old, and have had a fair crack at being submitted to literary magazines, while most of the other half have been written within the last few months. The poems in this latter half deserve their chance at individual glory too.

Somewhere down the track, I have a third short story collection in mind. Daringly, I’ve already come up with the theme and most of the story titles, if not the order. Whether this will encourage me to actually write the stories remains, as yet, unknown.

Men Briefly Explained

Men Briefly Explained is the working title of the poetry collection I’m currently putting together – which, when published, will be my third collection, after Boat People (2001) and All Blacks’ Kitchen Gardens (2007). The poems in it are all about men in some way, even those that aren’t.

My long-haul task at the moment is to take the manuscript of the novel I completed drafting over the Christmas holidays and polish the rough edges off it so that it glows like a bridesmaid’s dress. Though with less ruffles.

But in other nooks and crannies of my life, I’m wrangling the poetry collection into shape. I now have all – or nearly all – the poems I plan to include, some still in rough draft form, others finished, or as near to finished as poems ever get. The tough part is to organise them to best advantage. Should there be four sections, or three? Which section is it best to start with?

The poems in All Blacks’ Kitchen Gardens mainly date from the period 2001-2005. Some of the poems in the new collection have been with me since before ABKG was published, while others are a few weeks old. I need to make sure that I’m equally comfortable with all of them; I need to finalise the newer poems and send them out into the world in a brief adolescence, to see whether they can find homes as individual poems before I call them back home; and I need to make those final decisions about what goes where.

All that may take a while – and then there is the little matter of getting the collection published – but I am hopeful that, should you or someone you know require a brief explanation of men, one will be forthcoming in the not too distant future.

As a taster, here is one of the poems I plan to include. It was published in the first issue of Enamel magazine, and some more of the poems to be included in Men Briefly Explained will be appearing in the second issue.

The Penciller

She stares up through the ceiling,
sees your hand descend.
You trace the outline of her lover:
the commander, disheartened,
has started sleeping with her troops again.

You draw the beloved form, face
now spent with sex and sweat. You want to add
what you can never have: a few curved lines,
a niche of hair. But she’s too strong.
She tugs the sheet above her breasts.

Rebuffed, you pencil in the floor.
Bras, panties, a discarded teddy: night
of passion and disorder. The two of them curved together
like spoons, like swords, like last night’s impulse
surviving into morning.