Dracula Makes His Debut

It was a dark and stormy night – no, really, it was! – when my new poetry collection Dracula in the Colonies, together with Mandy Hager’s new “Chasing Ghosts” mystery Revenge and Rabbit Holes, were launched at Unity Books Wellington earlier this month.

Photo of Tim Jones speaking at the launch of his new poetry collection "Dracula in the Colonies" at Unity Books Wellington on 1 October 2025. Author is speaking at a microphone with a desk to his left and bookshelves behind him.
Photo credit: James Fraser

Happily, that didn’t prevent a good crowd gathering to attend the launch, enjoy the lovely food put on by Unity Books, listen to the speeches, and buy some books.

Colin Marshall of the Whitireia Publishing Programme, who helped to put together the launch, also doubled as videographer – here are his videos of publisher Mary McCallum, my “launcher”, poet Harvey Molloy who said some lovely things about my work and my writing career, and myself speaking at the launch.

Mary McCallum from The Cuba Press gets the book launch underway:

Harvey Molloy’s launch speech for Tim Jones’ new poetry collection “Dracula in the Colonies”:

Tim Jones speaks at the launch of his new poetry collection “Dracula in the Colonies”:

Since then, I’ve had a nice My Wellington profile in The Post, although you may find it firewalled. Watch out for more interviews and events to come!

You can buy Dracula in the Colonies from Unity Books Wellington, other independent bookstores, and direct from the publisher.

Next, I’m looking forward to reading Mandy’s book! Here’s my review of the first in the series.

My new poetry collection “Dracula in the Colonies” is launching in Wellington on Wednesday 1 October!

My new poetry collection Dracula in the Colonies is launching at Unity Books Wellington on Wednesday 1 October from 6-7.30pm. It’s a double book launch: my  Dracula in the Colonies and Mandy Hager’s new novel Revenge and Rabbit Holes.

Image version of the launch details included in this post, showing the covers of Dracula in the Colonies and Revenge and Rabbit Holes

All are welcome – no need to RSVP. And if you invite your friend, friends, partner, partners, or large and lavishly remunerated workplace* along, even better!

*Possibly fictional.

Dracula in the Colonies has received a couple of very nice endorsements from poets whose work I admire:

Janis Freegard: “Tim Jones’ powerful new collection takes us from Grimsby to Antarctica, traversing family life, migration, politics, climate change and loss. This is honest, tender, funny and intelligent writing from a story-teller poet.”

Erik Kennedy: “Eminently readable but never comfortable … Dracula in the Colonies is full of characters you’ll love to hate from a poet whose work we know to love.”

Thank you, Erik and Janis!

All the details

The launch will be at Unity Books, 57 Willis St, Wellington, from 6-7.30pm on Wednesday 1 October 2025. There will be drinks, nibbles, and books for sale and signing.

The Facebook event is here: https://www.facebook.com/events/1159319136008748/

My thanks to everyone who has already said they plan to attend, and those who’ve let me know they can’t make it.

I can’t make it, but I’d love a copy of the book:

The Cuba Press has you covered! You can pre-order Dracula in the Colonies here: https://thecubapress.nz/shop/dracula-in-the-colonies/

You’re invited to a double book launch on Wednesday 1 October: Dracula in the Colonies by Tim Jones and Revenge and Rabbit Holes by Mandy Hager

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You and your friends are warmly invited to a double book launch at Unity Books on Wednesday 1 October: my new poetry collection Dracula in the Colonies and Mandy Hager’s new novel Revenge and Rabbit Holes.

All are welcome – no need to RSVP!

The launch will be at Unity Books, 57 Willis St, Wellington, from 6-7.30pm on Wednesday 1 October 2025. There will be drinks, nibbles, and books for sale and signing.

The Facebook event is here: https://www.facebook.com/events/1159319136008748/

My thanks to everyone who has already said they plan to attend, and those who’ve let me know they can’t make it.

If you can’t make it, please pre-order Dracula in the Colonies here: https://thecubapress.nz/shop/dracula-in-the-colonies/

Book review: Halfway to Everywhere, by Vivienne Ullrich

Cover of poetry collection "Halfway to Everywhere", by Vivienne Ullrich

Halfway to Everywhere, by Vivienne Ullrich (The Cuba Press, 2024), 70 pp. Available from https://thecubapress.nz/shop/halfway-to-everywhere/

Halfway to Everywhere is Vivienne Ullrich’s second poetry collection, and I’m impressed. The poems in Halfway to Everywhere show a lot of formal ability as a poet, and as the collection goes on, that formal elegance was increasingly matched with subject matter that engaged me emotionally.

Many of these poems take as their subject matter art, historical figures and fairy tales. Mary Queen of Scots, Little Red Riding Hood, Scheherazade, Jack of “Jack and the Beanstalk” fame and the artist Max Gimblett all put in an appearance, as the poet invites us to see the world from their points of view.

“Mary Queen of Scots” (p. 24) is a good example of these poems. It begins:

I die tomorrow. It is a simple thing
and yet it clamps my belly.
I pray for a clean stroke
and dignity.

From “Rutu” (p. 18), a poem inspired by Rita Angus’ painting of the same name:

… how is it we gift
this month with myths of rebirth, when an eye
towards our cross of stars would signal time
for harvest, time for tuning in to self.

I was very impressed by the quality of both the poetry, and the thought that had gone into the poetry, in Halfway to Everywhere. I did find that – perhaps because of the number of poems about artworks and historical figures – it took about half the collection before I started to engage with the poems emotionally – in other words, to connect with them as well as be impressed by them. But as I continued reading, I found poems that spoke to me more directly, like “Footprint” (p. 62):

I hear you. No doubt
it is different in my skin.
I am my peculiar set of molecules
after all, and I have the benefit of
context and the words I left out.

This skill in addressing multiply points of view comes to fruition on my favourite poem in the collection, “Little Red Riding Hood” (p. 48), a retelling in which the dramatis personae all get a turn as protagonist: the wolf, the huntsman, the grandmother, and the girl herself. This poem combines formal ability and sly wit in a way that works extremely well. An excerpt won’t do it justice – check out the whole poem!

Vivienne Ullrich is a talented, clever, thoughtful poet, and as I read through this collection, I found her poems and her poetry sneaking up on me. Halfway to Everywhere is a good place to be.

Emergency Weather: A Storm Warning

Tuesday 12 December 2023 dawned a fine summer’s day in Wellington. But in mid-afternoon, the weather changed. A southerly front raced up the country, bringing very strong winds, heavy rain and hail to Wellington and the Hutt. 

I was sitting at my desk, and I felt and saw the change: the temperature dropped abruptly, and sunshine was abruptly replaced by cascading rain. It was all over within 90 minutes, and despite over 20 mm of rain falling at our place within a few minutes, we got off fairly lightly.

But friends I’ve talked to since weren’t so lucky. One was inside a mall that rapidly flooded; another had part of their roof torn off their house – one of a number of buildings in the Hutt that suffered serious damage.

Author Andy Southall captures it well in his Goodreads review of my novel Emergency Weather:

“A day after finishing this book, a sudden and savage storm struck Wellington. At 2.50pm the sun was shining on what seemed to be a pleasant summer day. Ten minutes later the sky turned black, violent winds blew out windows, hail was smashing into the deck and sheets of water poured from the gutters. And that was in a less extreme part of the storm’s path. Elsewhere it was much, much worse.”

and this Radio New Zealand report gives the bigger picture.

My novel Emergency Weather begins and ends with storms – the first causes death and damage from north to south, while the second and stronger storm zeroes in on Wellington. Wellington has always been prone to storms, but climate change is loading the dice, making it more likely that when storms come, they will be damaging and destructive.

Emergency Weather cover at Petone beach

My novel is set against the context of a government in which (some) Ministers are at least trying to do the right thing. But the recent election, which Labour lost by a combination of its own timidity and many voters’ desire for something different, has brought to power a government including climate deniers, environmental vandals, and worshippers at the altar of the car. If climate change is on their agenda at all, it’s well below culture wars.

But physical reality doesn’t care about ideology. So long as we keep loading the climate dice by burning fossil fuels and forcing cows to produce milk, piss nitrates and burp methane, the storms and the fires and the flooding will get worse. If we stop, the climate will have a chance to recover. No amount of denialism changes that.

(Excuse me, Tim! It’s just before Christmas and you’re supposed to be encouraging people to buy your book!)

Err … buy my book if you’re looking for a good summer read – it’s not all, or even mostly, doom and gloom! – and have a great holiday! Here’s to lots of good reading, and good organising for change, in 2024.

Emergency Weather: Successfully Launched, Well Reviewed, and More to Come!

Successfully Launched

Mandy Hager launches Emergency Weather
Mandy Hager launches Emergency Weather. Photo: Stephen Olsen

I was nervous heading into the launch of Emergency Weather. Unity is a great place for a launch, but it looks very empty if no-one comes – and there were other launches, as well as election meetings, on in downtown Wellington at the same time.

I needn’t have worried! Around 100 lovely people came to the launch, we sold plenty of books and I had a great time. It was good to see old friends, new friends, and people I’d never seen before!

Kate from Unity Books introduced the launch, then we heard from Paul from The Cuba Press and Cadence from the Whitireia Publishing programme before the book was launched by author Mandy Hager, whose speech really moved me. Then it was time for me to speak, read the very beginning of the novel, and sign lots of copies! If you missed the launch, the YouTube video is available or you can read Stephen Olsen’s report: https://wellington.scoop.co.nz/?p=155655 (he also took the photo above).

If you didn’t make the launch but would like to get on trend and buy a copy of Emergency Weather, it’s available:

* At Unity Books and Good Books in Wellington, and other independent bookshops nationwide, including UBS in Dunedin – if it’s not available from your nearest independent bookshop or Paper Plus, please ask them to order it in.

* Directly from The Cuba Press: https://thecubapress.nz/shop/emergency-weather/

* From Wheelers: https://www.wheelers.co.nz/books/9781988595726-emergency-weather/

* Through the new NZ BookHub site, launched three days after my book!

Tim Jones signs a copy of Emergency Weather
Tim Jones signs a copy of Emergency Weather (photo: Kate, Unity Books)

Well Reviewed

It’s also been good – and again, a testament to the hard work of The Cuba Press and Whitireia Publishing – to see reviews of Emergency Weather appearing. Online reviews:

Radio New Zealand: https://www.rnz.co.nz/national/programmes/afternoons/audio/2018910488/book-critic-catherine-roberston

Kete: https://www.ketebooks.co.nz/all-book-reviews/emergency-weather-jones

Aotearoa Review of Books: https://www.nzreviewofbooks.com/emergency-weather-by-tim-jones/

You can help a lot by adding the book to your Goodreads library and rating or reviewing it: https://www.goodreads.com/book/show/198972056-emergency-weather

More to Come

It’s not quite the Taylor Swift Eras Tour, but here are some upcoming Wellington events I’m involved in that you’re warmly invited to attend:

Unity Books Panel, Wednesday 18 October, 12.30-1.30pm: “Talking Up a Storm: The Making of Emergency Weather”: https://www.facebook.com/events/288705720676072/ (Facebook event link). Find out how a novel is written, edited, published and marketed.

Verb Wellington event, 11 November, 3-5pm – this one is for Remains to be Told, but I might weave in a mention or two of Emergency Weather as well.

Invitation to the launch of my new novel Emergency Weather

You are officially invited to the launch of my new climate fiction novel Emergency Weather – and here’s a look at the cover!

Emergency Weather launch invitation and cover image

The launch will take place on Wednesday 4 October at Unity Books Wellington, 57 Willis St, from 6pm – please encourage your friends to come along too!

Here is the Facebook event: https://www.facebook.com/events/667791528368999

Please sign up for this if you use Facebook, as it helps us know numbers attending.

Emergency Weather will be available from all good bookshops from 2 October – and also through https://thecubapress.nz/shop/

There is no mercy in insurance

News that Tower Insurance and other insurance companies are considering refusing to insure houses in flood-prone areas reminded me of “Written Off”, a poem from my 2016 collection New Sea Land.

The set of climate change consequences outlined in this poem were not difficult to come up with. Perhaps, if our “leaders” had spent more time thinking about consequences and less time bowing and scraping to vested interests, we wouldn’t be in quite such a deep hole seven years after this poem was first published.

Written Off

They had insured

and re-insured,

still it was not enough.

They hunched over maps,

consulted climate science.

Beachfront property

went with the stroke of a pen:

no possible premium

could insure that level of risk.

And floodplains:

why do people choose to build on them?

Bigger floods, more often: gone.

East coast farmers, eyeball-deep

in debt, haunted by drought,

desperate to irrigate:

you backed the wrong horse.

Low-lying suburbs, factories

built next to streams:

there is no mercy

in insurance. The numbers speak,

and then there is no mercy.

Novella Review: “A Sky of Wretched Shells,” by Mark Blackham

Cover image of "A Sky of Wretched Shells", a novella by Mark Blackham


Mark Blackham’s A Sky of Wretched Shells is the third book in The Cuba Press’ novella series, following my novella Where We Land and Zirk van den Berg’s I Wish, I Wish. Both Where We Land and A Sky of Wretched Shells are climate fiction novellas, but they’re very different: Where We Land is about our near-future response to climate change, while A Sky of Wretched Shells is set further in the future, when most of the world has fallen victim to ecological disaster and only one island offers hope for survival.

On the island of Woleai, 15-year-old Mala and his people live in relative peace and safety as the rest of the world falls apart. The arrival of two Western outsiders brings an end to this fragile equilibrium.

I won’t say more about the plot, because a lot happens in this novella that it would be a shame to spoil. I will say that there’s some really beautiful descriptive writing and imagery in A Sky of Wretched Shells: I got a strong sense of place from Mark Blackham’s novella.

Nevertheless, I struggled with some of the choices the central character, Mala, made – from my point of view, he persistently makes choices that puts his island and his people at greater risk. (Though my decision-making at age 15 may not have been the greatest, either, and the end of the novel suggests that he has made better choices than it first appears.)

The ending took the story in directions I didn’t expect, reactivating the sense of wonder I used to get as a teenager from reading science fiction, even as my adult eye was casting a more sceptical gaze over proceedings. So I ended the novella with mixed feelings: but given the quality of his descriptive writing and the scope of his imagination, I’m keen to see what stories Mark Blackham writes next.

Three New Poetry Books: Shelter, Up Flynn Road…, and Kissing a Ghost

One of my writing ambitions for 2022 is to get cracking on a new collection of poetry – my last few years have been very much about climate activism and, when I’ve been writing, climate fiction. Poetry is my first love as a writer and one I’m always keen to return to.

As a herald of what I hope will be more focus on reading and writing poetry in 2022,* here’s a review of a new poetry collection by Kirsten Le Harivel plus news of an anthology I contributed to and one I’ve edited.

*There is that idea for a sequel to Where We Land, though…

Review: Shelter, by Kirsten Le Harivel

Shelter is a collection of precisely observed poems that traverse cities, countries and places important to the poet: Glasgow, Ahmedabad, Kāpiti, and many others: a Tuapeka sheep truck, the Isle of Bute, Hiroshima, the corner of Cuba and Manners.

Kirsten Le Harivel has a sharp eye for people, places and the ways they interact, piling up words into pictures – that’s especially the case for the many fine prose poems in Shelter. There are many memorable lines here, and for much of the collection, the effect of the poems is cumulative rather than immediate. Helen Lehndorf says in her endorsement of the collection, “Le Harivel writes elegant, restrained poems which will soothe you, move you and ultimately, shelter you.”


Cover of poetry collection Shelter

It was the less restrained poems in Shelter, those with a clearer path through the elegant surface to the thoughts and feelings within, that appealed to me most. In her endorsement, Lynn Jenner comments that “Shelter contains the best poem about sex that I have ever read,” and it was the poems about sex and love that really stood out for me: funny, passionate, pissed off, or all three. I won’t quote “Bedroom”, but you’ll remember it once you’ve read it!

I will quote “Pillow talk” (p. 62):

“If you were here
the motes would float out
the upper window,
the breeze would linger,
there would be no interruptions.
I would ride your bed

and the smell of us would mingle…”

A beautiful poem about love, sex and recollection – but even better is “Writing conversations”, a love poem brought to you by the letter F where desire and The Oxford English Dictionary lose out to the Olympics: love as a sprint, not a marathon.

Shelter is powerful, controlled, and often smooth – yet it’s the sharper edges I’ll remember most.

New Anthology: Up Flynn Road, across Cook Strait, through the Magellanic Crowd

My poem “Interrupted Journey” is included in this new anthology of travel poems, edited by Norman P. Franke and published by Orplid Press. It’s a lovely production and there are some excellent poems here – find out more and buy your copy from Poppies Bookshop, Hamilton.

Cover of poetry anthology Up Flynn Road...

New Anthology: Kissing a Ghost

With Anne Harré, who did the design and production work, I edited this year’s New Zealand Poetry Society anthology Kissing a Ghost, which contains all the winning, placed, highly commended and commended entries from the NZPS International Poetry Competition 2021 plus additional poems I chose from among all the entries. Check out the lovely cover Anne designed!


Cover of poetry anthology Kissing a Ghost

This anthology contains a lot of fine contemporary poetry and haiku from Aotearoa and abroad. If you’d like to buy a copy, here’s how:

For New Zealand Orders:
https://buy.stripe.com/5kA7sP65zatkfoA5km

For Australian Orders: https://buy.stripe.com/cN23cz3Xr1WO90c3cf

For Rest of the World Orders:
https://buy.stripe.com/cN2eVh1PjdFwa4g9AE